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From Madman to Crime Fighter : The Scientist in Western Culture /

They were mad, of course. Or evil. Or godless, amoral, arrogant, impersonal, and inhuman. At best, they were well intentioned but blind to the dangers of forces they barely controlled. They were Faust and Frankenstein, Jekyll and Moreau, Caligari and Strangelove-the scientists of film and fiction, c...

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Detalles Bibliográficos
Autor principal: Haynes, Roslynn D. (Roslynn Doris), 1940- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Baltimore, Maryland : Johns Hopkins University Press, 2017.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Haynes, Roslynn D.  |q (Roslynn Doris),  |d 1940-  |e author. 
240 1 0 |a From Faust to Strangelove 
245 1 0 |a From Madman to Crime Fighter :   |b The Scientist in Western Culture /   |c Roslynn D. Haynes. 
264 1 |a Baltimore, Maryland :  |b Johns Hopkins University Press,  |c 2017. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2020 
264 4 |c ©2017. 
300 |a 1 online resource (424 pages):   |b illustrations ; 
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500 |a "An earlier version of this book was published as From Faust to Stranglove: representation of the scientist in Western literature (1994 Johns Hopkins University Press"--Title page verso. 
505 0 |a Introduction: Myths of science -- Evil alchemists and Doctor Faustus -- Bacon's new scientists -- Foolish virtuosi -- Newton: a scientist for God -- Arrogant and godless: scientists in eighteenth-century satire -- Inhuman scientists: the romantic perception -- Frankenstein and the creature -- Victorian scientists: doubt and struggle -- The scientist as adventurer -- Efficiency and power: the scientist under scrutiny -- The scientist as hero -- Mad, bad, and dangerous to know: reality overtakes fiction -- The impersonal scientist -- Scientia gratia scientiae: the amoral scientist -- Pandora's box -- Robots, cyborgs, androids and clones: who is in control? -- The scientist as woman -- Idealism and conscience -- Conclusion: New images of scientists. 
520 |a They were mad, of course. Or evil. Or godless, amoral, arrogant, impersonal, and inhuman. At best, they were well intentioned but blind to the dangers of forces they barely controlled. They were Faust and Frankenstein, Jekyll and Moreau, Caligari and Strangelove-the scientists of film and fiction, cultural archetypes that reflected ancient fears of tampering with the unknown or unleashing the little-understood powers of nature. In From Madman to Crime Fighter, Roslynn D. Haynes analyzes stereotypical characters-including the mad scientist, the cold-blooded pursuer of knowledge, the intrepid pathbreaker, and the bumbling fool-that, from medieval times to the present day, have been used to depict the scientist in Western literature and film. She also describes more realistically drawn scientists, characters who are conscious of their public responsibility to expose dangers from pollution and climate change yet fearful of being accused of lacking evidence. Drawing on examples from Britain, America, Germany, France, Russia, and elsewhere, Haynes explores the persistent folklore of mad doctors of science and its relation to popular fears of a depersonalized, male-dominated, and socially irresponsible pursuit of knowledge for its own sake. She concludes that today's public response to science and scientists-much of it negative-is best understood by recognizing the importance of such cultural archetypes and their significance as myth. From Madman to Crime Fighter is the most comprehensive study of the image of the scientist in Western literature and film. --Back cover. 
588 |a Description based on print version record. 
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650 7 |a Literature and science.  |2 fast  |0 (OCoLC)fst01000093 
650 6 |a Sciences au cinema. 
650 6 |a Litterature et sciences. 
650 6 |a Scientifiques dans la litterature. 
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650 0 |a Scientists in literature. 
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