Cargando…
Punctuations : How the Arts Think the Political /
"In Punctuations Michael J. Shapiro examines how punctuation--conceived not as a series of marks but as a metaphor for the ways in which artists engage with intelligibility--opens pathways for thinking through the possibilities for oppositional politics. Drawing on Theodor Adorno, Alain Robbe-G...
| Autor principal: | |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Durham :
Duke University Press,
2019.
|
| Colección: | Book collections on Project MUSE.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a22000004a 4500 | ||
|---|---|---|---|
| 001 | musev2_72003 | ||
| 003 | MdBmJHUP | ||
| 005 | 20230905051422.0 | ||
| 006 | m o d | ||
| 007 | cr||||||||nn|n | ||
| 008 | 190711s2019 ncu o 00 0 eng d | ||
| 010 | |z 2019980522 | ||
| 020 | |a 9781478007265 | ||
| 020 | |z 9781478006565 | ||
| 020 | |z 9781478005889 | ||
| 035 | |a (OCoLC)1089796961 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Shapiro, Michael J., |e author. | |
| 245 | 1 | 0 | |a Punctuations : |b How the Arts Think the Political / |c Michael J. Shapiro. |
| 264 | 1 | |a Durham : |b Duke University Press, |c 2019. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2020 | |
| 264 | 4 | |c ©2019. | |
| 300 | |a 1 online resource (224 pages). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | |a How 'popular' music thinks the political -- Urban punctuations: symphonic and dialectic -- Architectural punctuations: the politics of 'event spaces' -- Image punctuations: from the photographic to the cinematic -- Holocaust punctuations: Handke, Kertesz, and Sebald. | |
| 520 | |a "In Punctuations Michael J. Shapiro examines how punctuation--conceived not as a series of marks but as a metaphor for the ways in which artists engage with intelligibility--opens pathways for thinking through the possibilities for oppositional politics. Drawing on Theodor Adorno, Alain Robbe-Grillet, and Roland Barthes, Shapiro demonstrates how punctuation's capacity to create unexpected rhythmic pacing makes it an ideal tool for writers, musicians, filmmakers, and artists to challenge structures of power. In works ranging from film scores and jazz compositions to literature, architecture, and photography, Shapiro shows how the use of punctuation reveals the contestability of dominant narratives in ways that prompt readers, viewers, and listeners to reflect on their acceptance of those narratives. Such uses of punctuation, he theorizes, offer models for disrupting structures of authority, thereby fostering the creation of alternative communities of sense from which to base political mobilization"-- |c Provided by publisher. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Punctuation. |2 fast |0 (OCoLC)fst01084083 | |
| 650 | 7 | |a POLITICAL SCIENCE / History & Theory |2 bisacsh | |
| 650 | 6 | |a Ponctuation |x Dans l'art. | |
| 650 | 6 | |a Ponctuation |x Dans la litterature. | |
| 650 | 6 | |a Ponctuation |x Aspect politique. | |
| 650 | 6 | |a Ponctuation |x Aspect social. | |
| 650 | 6 | |a Ponctuation |x Philosophie. | |
| 650 | 6 | |a Ponctuation. | |
| 650 | 0 | |a Punctuation |x In art. | |
| 650 | 0 | |a Punctuation |x In literature. | |
| 650 | 0 | |a Punctuation |x Political aspects. | |
| 650 | 0 | |a Punctuation |x Social aspects. | |
| 650 | 0 | |a Punctuation |x Philosophy. | |
| 650 | 0 | |a Punctuation. | |
| 655 | 7 | |a Art |2 fast |0 (OCoLC)fst01423702 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/72003/ |
| 945 | |a Project MUSE - Custom Collection | ||