Museum Processes in China : The Institutional Regulation, Production and Consumption of the Art Museums in the Greater Pearl River Delta Region /
This book challenges the museum enterprise in China as a state monopoly and considers it as a new cultural agency that has emerged in the early twenty-first century. Following a constructive and multi-perspectival approach, it discusses the roles of political and cultural-economic agents, museum int...
Clasificación: | Libro Electrónico |
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Autor principal: | |
Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
Baltimore, Maryland :
Project Muse,
2020
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Colección: | Asian visual cultures.
Book collections on Project MUSE. |
Temas: | |
Acceso en línea: | Texto completo |
MARC
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008 | 200723s2020 ne o 00 0 eng d | ||
020 | |a 9789048550357 | ||
035 | |a (OCoLC)1178543355 | ||
040 | |a MdBmJHUP |c MdBmJHUP | ||
043 | |a a-cc--- | ||
050 | 4 | |a N3740.C6 |b H6 2020 | |
082 | 0 | |a 708.951 |2 23 | |
100 | 1 | |a Ho, Selina Chui-Fun, |e author. | |
245 | 1 | 0 | |a Museum Processes in China : |b The Institutional Regulation, Production and Consumption of the Art Museums in the Greater Pearl River Delta Region / |c Selina C.F. Ho. |
264 | 1 | |a Baltimore, Maryland : |b Project Muse, |c 2020 | |
264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2020 | |
264 | 4 | |c ©2020 | |
300 | |a 1 online resource (276 pages): |b illustrations. | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
490 | 0 | |a Asian visual cultures | |
500 | |a Issued as part of book collections on Project MUSE. | ||
504 | |a Includes bibliographical references and index. | ||
505 | 0 | |a Revisiting the historical trajectories of modern art museums in China -- He Xiangning Art Museum in Shenzhen -- Guangdong Times Museum in Guangzhou -- Hong Kong Museum of Art in Hong Kong. | |
506 | |a Access restricted to authorized users and institutions. | ||
520 | |a This book challenges the museum enterprise in China as a state monopoly and considers it as a new cultural agency that has emerged in the early twenty-first century. Following a constructive and multi-perspectival approach, it discusses the roles of political and cultural-economic agents, museum intermediaries, and museum publics in the interlinked processes of regulation, cultural production and consumption, and the issues of identity and representation faced by the art museums in the Greater Pearl River Delta Region. It broadly traces the art museum from its origin as a tool of nationalism and adoption as a vehicle of modernization in both nationalist and early communist periods, until its role in the present, as it reflects the contested and alternative representations, diverse publics, and fissured identities of the post-economic reform period of China. | ||
588 | |a Description based on print version record. | ||
650 | 0 | |a Art museums |x Government policy |z China. | |
650 | 0 | |a Art museums |z China. | |
655 | 7 | |a Electronic books. |2 local | |
710 | 2 | |a Project Muse, |e distributor. | |
776 | 1 | 8 | |i Print version: |z 9789463723527 |
710 | 2 | |a Project Muse. |e distributor | |
830 | 0 | |a Asian visual cultures. | |
830 | 0 | |a Book collections on Project MUSE. | |
856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/71775/ |
945 | |a Project MUSE - Custom Collection | ||
945 | |a Project MUSE - 2020 Complete | ||
945 | |a Project MUSE - 2020 Global Cultural Studies |