Cargando…

Museum Processes in China : The Institutional Regulation, Production and Consumption of the Art Museums in the Greater Pearl River Delta Region /

This book challenges the museum enterprise in China as a state monopoly and considers it as a new cultural agency that has emerged in the early twenty-first century. Following a constructive and multi-perspectival approach, it discusses the roles of political and cultural-economic agents, museum int...

Descripción completa

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Ho, Selina Chui-Fun (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Baltimore, Maryland : Project Muse, 2020
Colección:Asian visual cultures.
Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

LEADER 00000cam a22000004a 4500
001 musev2_71775
003 MdBmJHUP
005 20230905051408.0
006 m o d
007 cr||||||||nn|n
008 200723s2020 ne o 00 0 eng d
020 |a 9789048550357 
035 |a (OCoLC)1178543355 
040 |a MdBmJHUP  |c MdBmJHUP 
043 |a a-cc--- 
050 4 |a N3740.C6  |b H6 2020 
082 0 |a 708.951  |2 23 
100 1 |a Ho, Selina Chui-Fun,  |e author. 
245 1 0 |a Museum Processes in China :   |b The Institutional Regulation, Production and Consumption of the Art Museums in the Greater Pearl River Delta Region /   |c Selina C.F. Ho. 
264 1 |a Baltimore, Maryland :  |b Project Muse,  |c 2020 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2020 
264 4 |c ©2020 
300 |a 1 online resource (276 pages):   |b illustrations. 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a Asian visual cultures 
500 |a Issued as part of book collections on Project MUSE. 
504 |a Includes bibliographical references and index. 
505 0 |a Revisiting the historical trajectories of modern art museums in China -- He Xiangning Art Museum in Shenzhen -- Guangdong Times Museum in Guangzhou -- Hong Kong Museum of Art in Hong Kong. 
506 |a Access restricted to authorized users and institutions. 
520 |a This book challenges the museum enterprise in China as a state monopoly and considers it as a new cultural agency that has emerged in the early twenty-first century. Following a constructive and multi-perspectival approach, it discusses the roles of political and cultural-economic agents, museum intermediaries, and museum publics in the interlinked processes of regulation, cultural production and consumption, and the issues of identity and representation faced by the art museums in the Greater Pearl River Delta Region. It broadly traces the art museum from its origin as a tool of nationalism and adoption as a vehicle of modernization in both nationalist and early communist periods, until its role in the present, as it reflects the contested and alternative representations, diverse publics, and fissured identities of the post-economic reform period of China. 
588 |a Description based on print version record. 
650 0 |a Art museums  |x Government policy  |z China. 
650 0 |a Art museums  |z China. 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse,  |e distributor. 
776 1 8 |i Print version:  |z 9789463723527 
710 2 |a Project Muse.  |e distributor 
830 0 |a Asian visual cultures. 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/71775/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2020 Complete 
945 |a Project MUSE - 2020 Global Cultural Studies