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Serial Selves : Identity and Representation in Autobiographical Comics /

Autobiography is one of the most dynamic and quickly-growing genres in contemporary comics and graphic narratives. In Serial Selves, Frederik Byrn Kohlert examines the genre's potential for representing lives and perspectives that have been socially marginalized or excluded. With a focus on the...

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Detalles Bibliográficos
Autor principal: Kohlert, Frederik Byrn (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New Brunswick : Rutgers University Press, [2019]
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Serial Selves :   |b Identity and Representation in Autobiographical Comics /   |c Frederik Byrn Kohlert. 
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264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2019 
264 4 |c ©[2019] 
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505 0 0 |t Frontmatter --  |t Contents --  |t Introduction: Serial Selves --  |t 1. Female Grotesques: The Unruly Comics of Julie Doucet --  |t 2. Working It Through: Trauma and Visuality in the Comics of Phoebe Gloeckner --  |t 3. Queer as Style: Ariel Schrag's High School Comic Chronicles --  |t 4. Staring at Comics: Disability and the Body in Al Davison's The Spiral Cage --  |t 5. Stereotyping the Self: Toufic El Rassi's Arab in America --  |t Conclusion: Making an Issue of Representation --  |t Acknowledgments --  |t Notes --  |t Bibliography --  |t Index --  |t About the Author 
520 |a Autobiography is one of the most dynamic and quickly-growing genres in contemporary comics and graphic narratives. In Serial Selves, Frederik Byrn Kohlert examines the genre's potential for representing lives and perspectives that have been socially marginalized or excluded. With a focus on the comics form's ability to produce alternative and challenging autobiographical narratives, thematic chapters investigate the work of artists writing from perspectives of marginality including gender, sexuality, disability, and race, as well as trauma. Interdisciplinary in scope and attuned to theories and methods from both literary and visual studies, the book provides detailed formal analysis to show that the highly personal and hand-drawn aesthetics of comics can help artists push against established narrative and visual conventions, and in the process invent new ways of seeing and being seen. As the first comparative study of how comics artists from a wide range of backgrounds use the form to write and draw themselves into cultural visibility, Serial Selves will be of interest to anyone interested in the current boom in autobiographical comics, as well as issues of representation in comics and visual culture more broadly. 
588 |a Description based on print version record. 
650 7 |a Self-perception in art.  |2 fast  |0 (OCoLC)fst01111828 
650 7 |a Narrative art  |x Themes, motives.  |2 fast  |0 (OCoLC)fst01032943 
650 7 |a Autobiographical comic books, strips, etc.  |2 fast  |0 (OCoLC)fst01776689 
650 7 |a LITERARY CRITICISM  |x General.  |2 bisacsh 
650 6 |a Art narratif  |x Themes, motifs. 
650 6 |a Perception de soi dans l'art. 
650 6 |a Bandes dessinees autobiographiques  |x Histoire et critique. 
650 0 |a Narrative art  |x Themes, motives. 
650 0 |a Self-perception in art. 
650 0 |a Autobiographical comic books, strips, etc.  |x History and criticism. 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/71737/ 
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945 |a Project MUSE - 2019 Complete 
945 |a Project MUSE - 2019 Literature