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The Movies as a World Force : American Silent Cinema and the Utopian Imagination /
The Movies as a World Force is the first analysis of utopian cinema writing; situating it in its proper intellectual contexts, theology, and political philosophy; and illustrating the ways in which its utopian imagination shapes and is shaped by the era's most prestigious film genre, the histor...
| Autor principal: | |
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| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New Brunswick :
Rutgers University Press,
[2019]
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Friedman, Ryan Jay, |e author. | |
| 245 | 1 | 4 | |a The Movies as a World Force : |b American Silent Cinema and the Utopian Imagination / |c Ryan Jay Friedman. |
| 264 | 1 | |a New Brunswick : |b Rutgers University Press, |c [2019] | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2021 | |
| 264 | 4 | |c ©[2019] | |
| 300 | |a 1 online resource (232 pages): |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | |a Introduction: motion pictures and modern communion -- Enlightened public opinion: post-reform progressivism, mental science, and Gerald Stanley Lee's "moving-pictures" -- "The occult elements of motion and light": Vachel Lindsay's utopia of the mirror screen -- "The motion picture is war's greatest antidote": rescue as release of force in D.W. Griffith's Intolerance -- "Everything wooed everything": the triumph of morale over moralism in Rupert Hughes's Souls for sale -- "Little grains of sand": positive thinking and corporate form in Douglas Fairbanks's The thief of Bagdad -- Conclusion: universal history and the historicity of film entertainment. | |
| 520 | |a The Movies as a World Force is the first analysis of utopian cinema writing; situating it in its proper intellectual contexts, theology, and political philosophy; and illustrating the ways in which its utopian imagination shapes and is shaped by the era's most prestigious film genre, the historical crowd epic. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Utopias in motion pictures. |2 fast |0 (OCoLC)fst01905024 | |
| 650 | 7 | |a Silent films. |2 fast |0 (OCoLC)fst01118542 | |
| 650 | 7 | |a PERFORMING ARTS |x General. |2 bisacsh | |
| 650 | 0 | |a Silent films |z United States |x History. | |
| 650 | 0 | |a Utopias in motion pictures. | |
| 651 | 7 | |a United States. |2 fast |0 (OCoLC)fst01204155 | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/71687/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - 2019 Complete Supplement | ||
| 945 | |a Project MUSE - 2019 Film, Theater and Performing Arts Supplement | ||