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Quite Apart /

Quite Apart asks "what about after survival?" in a chronicle of attempts to have a heart in a rough world. Haunted by work and its wasted hours, the book offers a glimpse of self-rendered as subtext beneath the sheen of productivity. Inventive formal poems provide a kind of alibi, mirrorin...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Languell, Krystal, 1984- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Baltimore, Maryland : Project Muse, 2019
Edición:First edition.
Colección:Akron series in poetry.
Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Quite Apart /   |c Krystal Languell. 
250 |a First edition. 
264 1 |a Baltimore, Maryland :  |b Project Muse,  |c 2019 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2019 
264 4 |c ©2019 
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490 0 |a Akron series in poetry 
500 |a Poems. 
500 |a Issued as part of book collections on Project MUSE. 
506 |a Access restricted to authorized users and institutions. 
520 |a Quite Apart asks "what about after survival?" in a chronicle of attempts to have a heart in a rough world. Haunted by work and its wasted hours, the book offers a glimpse of self-rendered as subtext beneath the sheen of productivity. Inventive formal poems provide a kind of alibi, mirroring the inflexibility of the environment--driving through mountains, bleeding in alleys, losing keys in a bar parking lot--to allow some emotion to pass through, tenderness intact. The action among forms of address moves across the sections from direct to readerly, to more distant, back to the last/lost sequence, and ultimately into an intimate direct address, which builds up a reserve of trust adequate to collapse the distance of a cool operator. Mediated by grammatical invention, the collection enacts the making of an authentic place and self, reckoning with difficult truths (failures, omissions) to arrive at a state of peace having weathered some storms. It returns to a core and singular perspective, a knowing eye, that captures absurdity and tragedy, the absurdity of tragedy, to find--beyond vigilance--a balance between acceptance and bucking, which is perhaps another name for love. 
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