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Impression, projection. Une histoire médiatique entre cinéma et journalisme /
[Machine translated] The cinema and the press have always had a large number of elective affinities, just as they have always been in competition. Their broadcast channels and platforms are constantly intersecting, from the news filmed from the early 20th century to the participatory journalism of W...
| Otros Autores: | , , |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Francés |
| Publicado: |
Quebec :
Les Presses de l'Universite Laval,
[2019]
|
| Colección: | Book collections on Project MUSE.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 008 | 191207s2019 quc o 00 0 fre d | ||
| 020 | |a 9782763745794 | ||
| 020 | |z 9782763745787 | ||
| 035 | |a (OCoLC)1128392011 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 245 | 0 | 0 | |a Impression, projection. Une histoire médiatique entre cinéma et journalisme / |c sous la direction de Richard Begin, Thomas Carrier-LaFleur et Melodie Simard-Houde. |
| 264 | 1 | |a Quebec : |b Les Presses de l'Universite Laval, |c [2019] | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2019 | |
| 264 | 4 | |c ©[2019] | |
| 300 | |a 1 online resource (316 pages). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a Collection litterature et imaginaire contemporain | |
| 520 | |a [Machine translated] The cinema and the press have always had a large number of elective affinities, just as they have always been in competition. Their broadcast channels and platforms are constantly intersecting, from the news filmed from the early 20th century to the participatory journalism of Web 2.0. Their materials and language are also full of hybridities and exchanges, whether journalism invests small and large screens or that the cinema absorbs the journalistic matter. New cinematographic genres - such as cinematic and film-inquiry - and journalistic genres - such as film criticism - have emerged. To these remedies are added reciprocal representations, the cinema having continually put journalism to the test, journalism having participated in the advent as well as the institutionalization of the cinema. Through alliances and rivalries, correspondences and contradictions, simultaneities and reversals, this volume proposes to explore the continual redefinition of our media and their identities. The cinema and the press have always had a large number of elective affinities, just as they have always been in competition. Their broadcast channels and platforms are constantly intersecting, from the news filmed from the early 20th century to the participatory journalism of Web 2.0. Their materials and language are also full of hybridities and exchanges, whether journalism invests small and large screens or that the cinema absorbs the journalistic matter. New cinematographic genres - such as cinematic and film-inquiry - and journalistic genres - such as film criticism - have emerged. To these remedies are added reciprocal representations, the cinema having continually put journalism to the test, journalism having participated in the advent as well as the institutionalization of the cinema. Through alliances and rivalries, correspondences and contradictions, simultaneities and reversals, this volume proposes to explore the continual redefinition of our media and their identities. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a World Wide Web. |2 fast |0 (OCoLC)fst01181326 | |
| 650 | 7 | |a Motion pictures. |2 fast |0 (OCoLC)fst01027285 | |
| 650 | 7 | |a Mass media. |2 fast |0 (OCoLC)fst01011219 | |
| 650 | 7 | |a Journalism. |2 fast |0 (OCoLC)fst00984032 | |
| 650 | 7 | |a Identity (Philosophical concept) |2 fast |0 (OCoLC)fst00966889 | |
| 650 | 7 | |a Digital media. |2 fast |0 (OCoLC)fst00893716 | |
| 650 | 7 | |a LANGUAGE ARTS & DISCIPLINES |x Journalism. |2 bisacsh | |
| 650 | 7 | |a identity. |2 aat | |
| 650 | 7 | |a journalism. |2 aat | |
| 650 | 7 | |a World Wide Web. |2 aat | |
| 650 | 7 | |a mass media. |2 aat | |
| 650 | 6 | |a Medias numeriques. | |
| 650 | 6 | |a Identite. | |
| 650 | 6 | |a Journalisme. | |
| 650 | 6 | |a Web. | |
| 650 | 6 | |a Medias. | |
| 650 | 2 | |a Journalism | |
| 650 | 2 | |a Internet | |
| 650 | 0 | |a Digital media. | |
| 650 | 0 | |a Identity (Philosophical concept) | |
| 650 | 0 | |a Motion pictures. | |
| 650 | 0 | |a Journalism. | |
| 650 | 0 | |a World Wide Web. | |
| 650 | 0 | |a Mass media. | |
| 655 | 7 | |a Electronic books. |2 local | |
| 700 | 1 | |a Simard-Houde, Melodie, |d 1986- |e editor. | |
| 700 | 1 | |a Carrier-Lafleur, Thomas, |d 1986- |e editor. | |
| 700 | 1 | |a Begin, Richard, |e editor. | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/71466/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - 2019 Complete | ||
| 945 | |a Project MUSE - 2019 Film, Theater and Performing Arts | ||