Reading the Figural, or, Philosophy after the New Media /

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Theorizes the concept of the figural as a way to get beyond the long held aesthetic distinction between plastic and linguistic arts, a distinction that will not work for film and new media.

Detalles Bibliográficos
Autor principal: Rodowick, David Norman (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Durham : Duke University Press, 2001.
Colección:Book collections on Project MUSE.
Temas:
Semiotique.
Communication visuelle.
Esthetique.
Medias > Philosophie.
Semiotiek.
Mediakunst.
Esthetica.
Beeldcultuur.
Neue Medien
Philosophie
Visual communication.
Semiotics.
Mass media > Philosophy.
Aesthetics.
SOCIAL SCIENCE > Media Studies.
Electronic books.
Acceso en línea:Texto completo

MARC

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020 |z 9780822327110 
035 |a (OCoLC)1140684384 
040 |a MdBmJHUP  |c MdBmJHUP 
100 1 |a Rodowick, David Norman,  |e author. 
245 1 0 |a Reading the Figural, or, Philosophy after the New Media /   |c D.N. Rodowick. 
264 1 |a Durham :  |b Duke University Press,  |c 2001. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2020 
264 4 |c ©2001. 
300 |a 1 online resource (296 pages):   |b illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a Post-contemporary interventions 
505 0 |a 1. Presenting the Figural: The Idea of the Figural. Lyotard's Leap into the Void: The Aesthetic before the New Media. Paradoxes of the Visual, or Philosophy after the New Media -- 2. Reading the Figural: Rehearsing the Figural. Foucault through Deleuze, or The Diagrammatics of Power . Reading the Figural. The End of Modernism -- 3. The Figure and the Text. Film and the Scene of Writing: "With dreams displaced into a forest of script". Hieroglyphics, Montage, Enunciation -- 4. The Ends of the Aesthetic -- 5. The Historical Image: A Plea for the Dead. Social Hieroglyphs and the Optics of History. The Antinomic Character of Time. Anteroom Thinking, or "The Last Things before the Last" -- 6. A Genealogy of Time: Two Stories of 1968. Two Audiovisual Regimes: The Movement-Image and Time-Image. The Ends of the Dialectic and the Return of History: Hegel and Nietzsche. Genealogy, Countermemory, Event -- 7. An Uncertain Utopia: Digital Culture. An Image of Technological Abundance. A Digression on Postmodernism. Three Questions concerning Digital Culture. An Impossible Ideal of Power. 
520 |a Theorizes the concept of the figural as a way to get beyond the long held aesthetic distinction between plastic and linguistic arts, a distinction that will not work for film and new media. 
546 |a English. 
588 |a Description based on print version record. 
650 7 |a Semiotique.  |2 ram 
650 7 |a Communication visuelle.  |2 ram 
650 7 |a Esthetique.  |2 ram 
650 7 |a Medias  |x Philosophie.  |2 ram 
650 1 7 |a Semiotiek.  |2 gtt 
650 1 7 |a Mediakunst.  |2 gtt 
650 1 7 |a Esthetica.  |2 gtt 
650 1 7 |a Beeldcultuur.  |2 gtt 
650 7 |a Neue Medien  |2 gnd 
650 7 |a Philosophie  |2 gnd 
650 7 |a Visual communication.  |2 fast  |0 (OCoLC)fst01167997 
650 7 |a Semiotics.  |2 fast  |0 (OCoLC)fst01112351 
650 7 |a Mass media  |x Philosophy.  |2 fast  |0 (OCoLC)fst01011275 
650 7 |a Aesthetics.  |2 fast  |0 (OCoLC)fst00798702 
650 7 |a SOCIAL SCIENCE  |x Media Studies.  |2 bisacsh 
650 6 |a Semiotique. 
650 6 |a Communication visuelle. 
650 6 |a Esthetique. 
650 6 |a Medias  |x Philosophie. 
650 0 |a Aesthetics. 
650 0 |a Semiotics. 
650 0 |a Visual communication. 
650 0 |a Mass media  |x Philosophy. 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/71277/ 
945 |a Project MUSE - Custom Collection 

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