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Listen but Don't Ask Question : Hawaiian Slack Key Guitar across the TransPacific /
"Played on an acoustic steel-string guitar with open tunings and a finger-picking technique, Hawaiian slack key guitar music emerged in the mid-nineteenth century. Though played on a non-Hawaiian instrument and being influenced by Mexican cowboy culture, it is widely considered to be a truly Ha...
| Autor principal: | |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Durham :
Duke University Press,
2019.
|
| Colección: | Book collections on Project MUSE.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a22000004a 4500 | ||
|---|---|---|---|
| 001 | musev2_71116 | ||
| 003 | MdBmJHUP | ||
| 005 | 20230905051328.0 | ||
| 006 | m o d | ||
| 007 | cr||||||||nn|n | ||
| 008 | 190409s2019 ncu o 00 0 eng d | ||
| 010 | |z 2019017236 | ||
| 020 | |a 9781478007418 | ||
| 020 | |z 9781478006718 | ||
| 020 | |z 9781478005995 | ||
| 035 | |a (OCoLC)1126571285 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Fellezs, Kevin, |e author. | |
| 245 | 1 | 0 | |a Listen but Don't Ask Question : |b Hawaiian Slack Key Guitar across the TransPacific / |c Kevin Fellezs. |
| 264 | 1 | |a Durham : |b Duke University Press, |c 2019. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2020 | |
| 264 | 4 | |c ©2019. | |
| 300 | |a 1 online resource (336 pages). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | |a Mapping the polycultural Transpacific -- Getting the 'right Hawaiian feeling' -- Taking Kuleana -- The Aloha affect -- Sounding out the second Hawaiian renaissance -- 'Ohana and the longing to belong -- Pono, a balancing act. | |
| 520 | |a "Played on an acoustic steel-string guitar with open tunings and a finger-picking technique, Hawaiian slack key guitar music emerged in the mid-nineteenth century. Though played on a non-Hawaiian instrument and being influenced by Mexican cowboy culture, it is widely considered to be a truly Hawaiian tradition grounded in Hawaiian aesthetics and cultural values. In Listen But Don't Ask Question Kevin Fellezs examines Kanaka Maoli (Native Hawaiian) and non-Hawaiian slack key guitar in Hawai'i, California, and Japan, tracing how notions of belonging and authenticity become contested depending on who plays the music and where. In Hawai'i slack key guitar functions as a sign of Kanaka Maoli cultural renewal, resilience, and resistance in the face of appropriation and occupation, while in Japan it becomes the means through which to create a merged Japanese-Hawaiian artistic and cultural sensibility. For diasporic Hawaiians in California, it provides with a way to claim Hawaiian identity. By demonstrating how slack key guitar is a site for the articulation of Hawaiian-ness Fellezs illuminates how slack key guitarists are reconfiguring notions of Hawaiian belonging throughout the Transpacific."--Provided by publisher. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Hawaiian guitar music. |2 fast |0 (OCoLC)fst00952003 | |
| 650 | 7 | |a Guitar music (Slack key) |2 fast |0 (OCoLC)fst00949215 | |
| 650 | 7 | |a SOCIAL SCIENCE / Ethnic Studies / Native American Studies |2 bisacsh | |
| 650 | 6 | |a Guitare hawaïenne, Musique de |z Pacifique, Region du |x Histoire et critique. | |
| 650 | 6 | |a Guitare hawaïenne, Musique de |z Japon |x Histoire et critique. | |
| 650 | 6 | |a Guitare hawaïenne, Musique de |z Californie |x Histoire et critique. | |
| 650 | 6 | |a Guitare hawaïenne, Musique de |z Hawaii |x Histoire et critique. | |
| 650 | 0 | |a Guitar music (Slack key) |z Pacific Area |x History and criticism. | |
| 650 | 0 | |a Guitar music (Slack key) |z Japan |x History and criticism. | |
| 650 | 0 | |a Guitar music (Slack key) |z California |x History and criticism. | |
| 650 | 0 | |a Guitar music (Slack key) |z Hawaii |x History and criticism. | |
| 650 | 0 | |a Hawaiian guitar music |z Pacific Area |x History and criticism. | |
| 650 | 0 | |a Hawaiian guitar music |z Japan |x History and criticism. | |
| 650 | 0 | |a Hawaiian guitar music |z California |x History and criticism. | |
| 650 | 0 | |a Hawaiian guitar music |z Hawaii |x History and criticism. | |
| 651 | 7 | |a Pacific Area. |2 fast |0 (OCoLC)fst01243504 | |
| 651 | 7 | |a Japan. |2 fast |0 (OCoLC)fst01204082 | |
| 651 | 7 | |a Hawaii. |2 fast |0 (OCoLC)fst01208724 | |
| 651 | 7 | |a California. |2 fast |0 (OCoLC)fst01204928 | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/71116/ |
| 945 | |a Project MUSE - Custom Collection | ||