The Witch's Flight : The Cinematic, the Black Femme, and the Image of Common Sense /
Kara Keeling contends that cinema and cinematic processes had a profound significance for twentieth-century anti-capitalist Black liberation movements based in the United States. Drawing on Gilles Deleuze's notion of "the cinematic"--Not just as a phenomenon confined to moving-image m...
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Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
Durham :
Duke University Press,
2007.
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Colección: | Book collections on Project MUSE.
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Temas: | |
Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Introduction : Another litany for survival
- The image of common sense
- In the interval
- "In order to move forward" : common-sense Black Nationalism and Haile Gerima's Sankofa
- "We'll just have to get guns and be men" : the cinematic appearance of Black revolutionary women
- "A black belt in bar stool" : blaxploitation, surplus, and The L Word
- "What's up with that? She don't talk?" : Set It Off's Black lesbian butch-femme
- Reflections on the Black femme's role in the (re)production of cinematic reality : the case of Eve's Bayou.