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The Witch's Flight : The Cinematic, the Black Femme, and the Image of Common Sense /
Kara Keeling contends that cinema and cinematic processes had a profound significance for twentieth-century anti-capitalist Black liberation movements based in the United States. Drawing on Gilles Deleuze's notion of "the cinematic"--Not just as a phenomenon confined to moving-image m...
| Autor principal: | |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Durham :
Duke University Press,
2007.
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 020 | |a 9780822390145 | ||
| 020 | |z 9780822340256 | ||
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| 035 | |a (OCoLC)1141509340 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Keeling, Kara, |d 1971- |e author. | |
| 245 | 1 | 4 | |a The Witch's Flight : |b The Cinematic, the Black Femme, and the Image of Common Sense / |c Kara Keeling. |
| 264 | 1 | |a Durham : |b Duke University Press, |c 2007. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2020 | |
| 264 | 4 | |c ©2007. | |
| 300 | |a 1 online resource (222 pages): |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a Perverse modernities | |
| 505 | 0 | |a Introduction : Another litany for survival -- The image of common sense -- In the interval -- "In order to move forward" : common-sense Black Nationalism and Haile Gerima's Sankofa -- "We'll just have to get guns and be men" : the cinematic appearance of Black revolutionary women -- "A black belt in bar stool" : blaxploitation, surplus, and The L Word -- "What's up with that? She don't talk?" : Set It Off's Black lesbian butch-femme -- Reflections on the Black femme's role in the (re)production of cinematic reality : the case of Eve's Bayou. | |
| 520 | |a Kara Keeling contends that cinema and cinematic processes had a profound significance for twentieth-century anti-capitalist Black liberation movements based in the United States. Drawing on Gilles Deleuze's notion of "the cinematic"--Not just as a phenomenon confined to moving-image media such as film and television but as a set of processes involved in the production and reproduction of social reality itself--Keeling describes how the cinematic structures racism, homophobia, and misogyny, and, in the process, denies viewers access to certain images and ways of knowing. She theorizes the Black femme as a figure who, even when not explicitly represented within hegemonic cinematic formulations of raced and gendered subjectivities, nonetheless haunts those representations, threatening to disrupt them by making alternative social arrangements visible. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Sex role in motion pictures. |2 fast |0 (OCoLC)fst01114654 | |
| 650 | 7 | |a Sex in motion pictures. |2 fast |0 (OCoLC)fst01114479 | |
| 650 | 7 | |a Race in motion pictures. |2 fast |0 (OCoLC)fst01086507 | |
| 650 | 7 | |a Queer theory. |2 fast |0 (OCoLC)fst01739572 | |
| 650 | 7 | |a Butch and femme (Lesbian culture) in motion pictures. |2 fast |0 (OCoLC)fst01902655 | |
| 650 | 6 | |a Theorie queer. | |
| 650 | 6 | |a Race au cinema. | |
| 650 | 6 | |a Sexualite au cinema. | |
| 650 | 6 | |a Rôle selon le sexe au cinema. | |
| 650 | 0 | |a Butch and femme (Lesbian culture) in motion pictures. | |
| 650 | 0 | |a Queer theory. | |
| 650 | 0 | |a Race in motion pictures. | |
| 650 | 0 | |a Sex in motion pictures. | |
| 650 | 0 | |a Sex role in motion pictures. | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/71051/ |
| 945 | |a Project MUSE - Custom Collection | ||