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Experimental Beijing : Gender and Globalization in Chinese Contemporary Art /
"During the lead-up to the 2008 Beijing Olympics, the censorious attitude that characterized China's post-1989 official response to contemporary art gave way to a new market-driven, culture industry valuation of art. Experimental artists who once struggled against state regulation of artis...
| Autor principal: | |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Durham :
Duke University Press,
2018.
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 020 | |a 9780822372479 | ||
| 020 | |z 9780822369431 | ||
| 020 | |z 9780822369288 | ||
| 035 | |a (OCoLC)1143638456 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Welland, Sasha Su-Ling, |d 1969- |e author. | |
| 245 | 1 | 0 | |a Experimental Beijing : |b Gender and Globalization in Chinese Contemporary Art / |c Sasha Su-Ling Welland. |
| 264 | 1 | |a Durham : |b Duke University Press, |c 2018. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2020 | |
| 264 | 4 | |c ©2018. | |
| 300 | |a 1 online resource (360 pages): |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | |a Chinese contemporary art in the expanded field -- Art worldings -- Xianfeng Beijing -- Showcase Beijing -- Zones of encounter -- The besieged city -- The hinterlands of feminist art -- Feminist sightlines -- Red detachment -- Opening the Great Wall -- Camouflaged histories -- Recursive worldly fables. | |
| 520 | |a "During the lead-up to the 2008 Beijing Olympics, the censorious attitude that characterized China's post-1989 official response to contemporary art gave way to a new market-driven, culture industry valuation of art. Experimental artists who once struggled against state regulation of artistic expression found themselves being courted to advance China's international image. In Experimental Beijing Sasha Su-Ling Welland examines the interlocking power dynamics in this transformational moment and rapid rise of Chinese contemporary art into a global phenomenon. Drawing on ethnographic fieldwork and experience as a videographer and curator, Welland analyzes encounters between artists, curators, officials, and urban planners as they negotiated the social role of art and built new cultural institutions. Focusing on the contradictions and exclusions that emerged, Welland traces the complex gender politics involved and shows that feminist forms of art practice hold the potential to reshape consciousness, produce a non-normative history of Chinese contemporary art, and imagine other more just worlds."-- |c Provided by publisher | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Globalization in art. |2 fast |0 (OCoLC)fst01903360 | |
| 650 | 7 | |a Artists. |2 fast |0 (OCoLC)fst00817559 | |
| 650 | 7 | |a Art, Modern. |2 fast |0 (OCoLC)fst00816615 | |
| 650 | 7 | |a Art, Chinese. |2 fast |0 (OCoLC)fst00816103 | |
| 650 | 7 | |a Art. |2 fast |0 (OCoLC)fst00815177 | |
| 650 | 7 | |a ART |x Asian. |2 bisacsh | |
| 650 | 7 | |a ART |x History |x General. |2 bisacsh | |
| 650 | 6 | |a Mondialisation dans l'art. | |
| 650 | 6 | |a Art |z Chine |z Pekin. | |
| 650 | 6 | |a Artistes |z Chine |z Pekin |y 21e siecle. | |
| 650 | 6 | |a Art |y 21e siecle. | |
| 650 | 6 | |a Art chinois |y 21e siecle. | |
| 650 | 0 | |a Globalization in art. | |
| 650 | 0 | |a Art |z China |z Beijing. | |
| 650 | 0 | |a Artists |z China |z Beijing |y 21st century. | |
| 650 | 0 | |a Art, Modern |y 21st century. | |
| 650 | 0 | |a Art, Chinese |y 21st century. | |
| 651 | 7 | |a China |z Beijing. |2 fast |0 (OCoLC)fst01205740 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/70891/ |
| 945 | |a Project MUSE - Custom Collection | ||