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The Repeating Island : The Caribbean and the Postmodern Perspective /

In this second edition of The Repeating Island, Antonio Benítez-Rojo, a master of the historical novel, short story, and critical essay, continues to confront the legacy and myths of colonialism. This co-winner of the 1993 MLA Katherine Singer Kovacs Prize has been expanded to include three entirel...

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Detalles Bibliográficos
Autor principal: Benítez Rojo, Antonio, 1931-2005 (Autor)
Otros Autores: Maraniss, James E., 1945-2022 (Traductor)
Formato: Electrónico eBook
Idioma:Inglés
Español
Publicado: Durham, N.C. : Duke University Press, 1996.
Edición:Second edition.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Benítez Rojo, Antonio,  |d 1931-2005,  |e author. 
240 1 0 |a Isla que se repite.  |l English 
245 1 4 |a The Repeating Island :   |b The Caribbean and the Postmodern Perspective /   |c Antonio Benítez-Rojo ; translated by James Maraniss. 
250 |a Second edition. 
264 1 |a Durham, N.C. :  |b Duke University Press,  |c 1996. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2020 
264 4 |c ©1996. 
300 |a 1 online resource (369 pages). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a Post-contemporary interventions 
505 0 |a Introduction: the repeating island: From Columbus's machine to the sugar-making machine. From the apocalypse to chaos. From rhythm to polyrhythm. From literature to carnival -- SOCIETY. From the plantation to the Plantation: Hispaniola: the first plantations. The emergence of creole culture. Contraband, repression, and consequences. The island creole and the mainland creole. The Plantation and the Africanization of culture. The Plantation: Sociocultural regularities -- THE WRITER: Bartolome de Las Casas: between fiction and the inferno. Las Casas: Historian or fabulist? Las Casas and slavery. The plague of ants and the uncanny. The piedra soliman: Sugar, genitalia, writing. Derivations from the "Las Casas case" Nicoltis Guillen: sugar mill andpoetry. From Los ingenios to La zafra. From the libido to the superego. The Communist poet. The controversial poet. The subversive poet. The philosophical poet. Fernando Ortiz: the Caribbean and postmodernity ISO:The Contrapunteo as a postmodern text. Between voodoo and ideology. A danceable language. Knowledge in flight. Carpentier and Harris: explorers of El Dorado. The voyage there. The Path of Words. The trip to El Dorado. Concerning the three voyagers -- THE BOOK: Los panmanes) or the memory of the skin. The puzzle's next-to-last piece. Displacement toward myth. The "other" Caribbean city. Violence, folklore, and the Caribbean novel. Viaje a la semilla) or the text as spectacle. A canon called the crab. We open the door to the enchanted house. We close the door to the enchanted house. All quiet on the western front. Noise. Directions for reading the black hole. Nino Aviles) or history's libido. Nueva Venecia, an onion. Of palenques and cimarrones. The temptations of Fray Agustin -- THE PARADOX: Naming the Father, naming the Mother. The Father's ghost. The Mother's song. The unfinished matricide. Private reflections on Garcia Marquez's Erendira. The captive maiden. The pregnant woman. The Caribbean Persephone. The carnivalesque whore. Carnival. The system's deepest layer: Guillen's "Sensemaya" The intermediate layer: Walcott's Drums and Colours. The outer layer: Carpentier's Concierto barroco. Carnival at last. 
520 |a In this second edition of The Repeating Island, Antonio Benítez-Rojo, a master of the historical novel, short story, and critical essay, continues to confront the legacy and myths of colonialism. This co-winner of the 1993 MLA Katherine Singer Kovacs Prize has been expanded to include three entirely new chapters that add a Lacanian perspective and a view of the carnivalesque to an already brilliant interpretive study of Caribbean culture. As he did in the first edition, Benítez-Rojo redefines the Caribbean by drawing on history, economics, sociology, cultural anthropology, psychoan. 
546 |a Translated from the Spanish. 
588 |a Description based on print version record. 
650 7 |a Civilization.  |2 fast  |0 (OCoLC)fst00862898 
650 7 |a Caribbean literature (Spanish)  |2 fast  |0 (OCoLC)fst00847488 
650 7 |a Caribbean literature.  |2 fast  |0 (OCoLC)fst00847469 
650 7 |a LITERARY CRITICISM  |x General.  |2 bisacsh 
650 7 |a BIOGRAPHY & AUTOBIOGRAPHY  |x Literary.  |2 bisacsh 
650 6 |a Litterature antillaise (espagnole)  |x Histoire et critique. 
650 6 |a Litterature antillaise  |x Histoire et critique. 
650 0 |a Caribbean literature (Spanish)  |x History and criticism. 
650 0 |a Caribbean literature  |x History and criticism. 
651 7 |a Caribbean Area.  |2 fast  |0 (OCoLC)fst01244080 
651 6 |a Caraïbes (Region)  |x Civilisation. 
651 0 |a Caribbean Area  |x Civilization. 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a Electronic books.   |2 local 
700 1 |a Maraniss, James E.,  |d 1945-2022,  |e translator. 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/70826/ 
945 |a Project MUSE - Custom Collection