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High Contrast : Race and Gender in Contemporary Hollywood Films /
In High Contrast, Sharon Willis examines the dynamic relationships between racial and sexual difference in Hollywood film from the 1980s and 1990s. Seizing on the way these differences are accentuated, sensationalized, and eroticized on the screen - most often with little apparent regard for the pol...
| Autor principal: | |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Durham, N.C. :
Duke University Press,
1997.
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 006 | m o d | ||
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| 008 | 100407s1997 ncu o 00 0 eng d | ||
| 020 | |a 9780822379218 | ||
| 020 | |z 9780822320418 | ||
| 020 | |z 9780822320296 | ||
| 035 | |a (OCoLC)1151188947 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Willis, Sharon, |d 1955- |e author. | |
| 245 | 1 | 0 | |a High Contrast : |b Race and Gender in Contemporary Hollywood Films / |c Sharon Willis. |
| 264 | 1 | |a Durham, N.C. : |b Duke University Press, |c 1997. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2020 | |
| 264 | 4 | |c ©1997. | |
| 300 | |a 1 online resource (280 pages). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | |a pt. 1. Battles of the sexes. Mutilated masculinities and their prosthesis: Die Hards and Lethal Weapons. Insides out: public and private exchanges from Fatal Attraction to Basic Instinct. Combative femininity: Thelma and Louise and Terminator 2 -- pt. 2. Ethnographies of the "White" gaze. Do the wrong thing: David Lynch's perverse style. Tell th right story: Spike Lee and the politics of representative style. Borrowed "Style": Quentin Tarantino's figures of masculinity. | |
| 520 | |a In High Contrast, Sharon Willis examines the dynamic relationships between racial and sexual difference in Hollywood film from the 1980s and 1990s. Seizing on the way these differences are accentuated, sensationalized, and eroticized on the screen - most often with little apparent regard for the political context in which they operate - Willis restores that context through close readings of a range of movies from cinematic blockbusters to the work of the new auteurs, Spike Lee, David Lynch, and Quentin Tarantino. | ||
| 546 | |a English. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a PERFORMING ARTS / Film & Video / History & Criticism |2 bisacsh | |
| 650 | 0 | 7 | |a Film. |2 swd |
| 650 | 7 | |a Geschlecht |g Motiv |2 gnd | |
| 650 | 7 | |a Sex role in motion pictures. |2 fast |0 (OCoLC)fst01114654 | |
| 650 | 7 | |a African Americans in motion pictures. |2 fast |0 (OCoLC)fst00799733 | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 6 | |a Noirs americains au cinema. | |
| 650 | 6 | |a Rôle selon le sexe au cinema. | |
| 650 | 0 | |a Sex role in motion pictures. | |
| 650 | 0 | |a African Americans in motion pictures. | |
| 651 | 7 | |a USA. |2 swd | |
| 651 | 7 | |a Schwarze <Motiv> |2 swd | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/70778/ |
| 945 | |a Project MUSE - Custom Collection | ||