|
|
|
|
LEADER |
00000cam a22000004a 4500 |
001 |
musev2_70642 |
003 |
MdBmJHUP |
005 |
20230905051302.0 |
006 |
m o d |
007 |
cr||||||||nn|n |
008 |
140808s2015 ncu o 00 0 eng d |
010 |
|
|
|z 2014029965
|
020 |
|
|
|a 9780822375982
|
020 |
|
|
|z 9780822358077
|
020 |
|
|
|z 9780822357940
|
035 |
|
|
|a (OCoLC)1144915593
|
040 |
|
|
|a MdBmJHUP
|c MdBmJHUP
|
100 |
1 |
|
|a Thompson, Krista A.,
|d 1972-
|
245 |
1 |
0 |
|a Shine :
|b The Visual Economy of Light in African Diasporic Aesthetic Practice /
|c Krista Thompson.
|
264 |
|
1 |
|a Durham :
|b Duke University Press,
|c 2015.
|
264 |
|
3 |
|a Baltimore, Md. :
|b Project MUSE,
|c 2020
|
264 |
|
4 |
|c ©2015.
|
300 |
|
|
|a 1 online resource (367 pages):
|b color illustrations ;
|
336 |
|
|
|a text
|b txt
|2 rdacontent
|
337 |
|
|
|a computer
|b c
|2 rdamedia
|
338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
505 |
0 |
|
|a "Keep it real" : street photography, public visibility, and Afro-modernity -- Video light : dancehall and the aesthetics of spectacular un-visibility in Jamaica -- Shine, shimmer, and splendor : African diasporic aesthetics and the art of being seen in the Bahamas -- The sound of light : reflections on art history in the visual culture of hip-hop.
|
520 |
|
|
|a In Jamaican dance halls, competition for the video camera's light is stiff, so much so that dancers sometimes bleach their skin to enhance their visibility. In the Bahamas, tuxedoed students roll into prom in tricked-out sedans, staging grand red-carpet entrances that are designed to ensure they are seen being photographed. Throughout the United States and Jamaica friends pose in front of hand-painted backgrounds of Tupac, flashy cars, or brand-name products popularized in hip-hop culture in countless makeshift roadside photography studios. And visual artists such as Kehinde Wiley remix the aesthetic of Western artists with hip-hop culture in their portraiture. In this book, Krista Thompson examines these and other photographic practices in the Caribbean and United States, arguing that performing for the camera is more important than the final image itself.
|
588 |
|
|
|a Description based on print version record.
|
650 |
|
7 |
|a African diaspora.
|2 nli
|
650 |
|
7 |
|a Art and popular culture.
|2 nli
|
650 |
|
7 |
|a Photography
|x Social aspects
|z Caribbean Area.
|2 nli
|
650 |
|
7 |
|a Photography
|x Social aspects
|z United States.
|2 nli
|
650 |
|
7 |
|a Mass media and culture
|z Caribbean Area.
|2 nli
|
650 |
|
7 |
|a Mass media and culture
|z United States.
|2 nli
|
650 |
|
7 |
|a Blacks
|x Race identity.
|2 nli
|
650 |
|
7 |
|a Photography
|x Social aspects.
|2 fast
|0 (OCoLC)fst01061826
|
650 |
|
7 |
|a Mass media and culture.
|2 fast
|0 (OCoLC)fst01011339
|
650 |
|
7 |
|a Art and popular culture.
|2 fast
|0 (OCoLC)fst00815422
|
650 |
|
7 |
|a African diaspora.
|2 fast
|0 (OCoLC)fst00799755
|
650 |
|
6 |
|a Africains
|z Pays etrangers.
|
650 |
|
6 |
|a Art et culture populaire.
|
650 |
|
6 |
|a Photographie
|x Aspect social
|z États-Unis.
|
650 |
|
6 |
|a Medias et culture
|z Caraïbes (Region)
|
650 |
|
6 |
|a Medias et culture
|z États-Unis.
|
650 |
|
0 |
|a African diaspora.
|
650 |
|
0 |
|a Art and popular culture.
|
650 |
|
0 |
|a Photography
|x Social aspects
|z United States.
|
650 |
|
0 |
|a Mass media and culture
|z Caribbean Area.
|
650 |
|
0 |
|a Mass media and culture
|z United States.
|
651 |
|
7 |
|a United States.
|2 fast
|0 (OCoLC)fst01204155
|
651 |
|
7 |
|a Caribbean Area.
|2 fast
|0 (OCoLC)fst01244080
|
655 |
|
7 |
|a Electronic books.
|2 local
|
710 |
2 |
|
|a Project Muse.
|e distributor
|
830 |
|
0 |
|a Book collections on Project MUSE.
|
856 |
4 |
0 |
|z Texto completo
|u https://projectmuse.uam.elogim.com/book/70642/
|
945 |
|
|
|a Project MUSE - Custom Collection
|