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Segregating Sound : Inventing Folk and Pop Music in the Age of Jim Crow /
Asks how the racialized genre divisions in American commerical music came into being, and how they became so entrenched, challenging the assumption of strict musical segregation in the late-19th-century rural South.
| Autor principal: | |
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| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Durham [NC] :
Duke University Press,
2010.
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Tin Pan Alley on tour : the Southern embrace of commercial music
- Making money making music : the education of Southern musicians in local markets
- Isolating folk, isolating songs : reimagining Southern music as folklore
- Southern musicians and the lure of New York City : representing the South from coon songs
- To the blues
- Talking machine world : discovering local music in the global phonograph industry
- Race records and old-time music : the creation of two marketing categories in the 1920s
- Black folk and hillbilly pop : industry enforcement of the musical color line
- Reimagining pop tunes as folk songs: the ascension of the folkloric paradigm
- Afterword: "All songs is folk songs."