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Hold It Against Me : Difficulty and Emotion in Contemporary Art /

Examining the relationship between emotional intensity and difficulty in works of avant-garde art, Jennifer Doyle seeks to develop a critical language for understanding affectively charged contemporary art.

Detalles Bibliográficos
Autor principal: Doyle, Jennifer (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: London : Duke University Press, 2013.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Doyle, Jennifer,  |e author. 
245 1 0 |a Hold It Against Me :   |b Difficulty and Emotion in Contemporary Art /   |c Jennifer Doyle. 
264 1 |a London :  |b Duke University Press,  |c 2013. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2020 
264 4 |c ©2013. 
300 |a 1 online resource (227 pages):   |b illustrations (some color) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
505 0 0 |t Introducing difficulty --  |t Hard feelings --  |t Patrolling the border between art and politics --  |t Vocabulary shift: from controversy to difficulty --  |t Difficulty's audience --  |t Three case studies in difficulty and the problem of affect --  |t A blank: Aliza Shvarts, untitled --  |t Theater of cruelty: Thomas Eakins, the gross clinic --  |t Touchy subject: Ron Athey, incorruptible flesh: dissociative sparkle --  |t Thinking feeling: criticism and emotion --  |t What happened to feeling? --  |t The difficulty of sentimentality: Franko B's I miss you! --  |t The strange theatricality of tears: nao Bustamante's Neapolitan --  |t Relational aesthetics and affective labor --  |t Feeling overdetermined: identity, emotion, and history --  |t The difficulty of identity --  |t James Luna's the history of the Luiseño people (Christmas, La Jolla Reservation). --  |t Difficulty and ideologies of emotion. --  |t Carrie Mae Weems's From here I saw what happened and I cried. --  |t David Wojnarowicz's Untitled (Hujar Dead). 
520 |a Examining the relationship between emotional intensity and difficulty in works of avant-garde art, Jennifer Doyle seeks to develop a critical language for understanding affectively charged contemporary art. 
588 |a Description based on print version record. 
650 7 |a Emotions in art.  |2 fast  |0 (OCoLC)fst00908862 
650 7 |a Art, Modern  |x Themes, motives.  |2 fast  |0 (OCoLC)fst00816663 
650 7 |a Art, Modern  |x Psychological aspects.  |2 fast  |0 (OCoLC)fst00816655 
650 7 |a Art criticism.  |2 fast  |0 (OCoLC)fst00815492 
650 7 |a ART  |x Criticism & Theory.  |2 bisacsh 
650 7 |a ART  |x History  |x Contemporary (1945- )  |2 bisacsh 
650 7 |a art criticism.  |2 aat 
650 6 |a Critique d'art. 
650 6 |a Art  |y 21e siecle  |x Themes, motifs. 
650 6 |a Art  |y 21e siecle  |x Aspect psychologique. 
650 0 |a Art criticism. 
650 0 |a Art, Modern  |y 21st century  |x Themes, motives. 
650 0 |a Art, Modern  |y 21st century  |x Psychological aspects. 
650 0 |a Emotions in art. 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/70485/ 
945 |a Project MUSE - Custom Collection