Film Blackness : American Cinema and the Idea of Black Film /

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"In Film Blackness Michael Boyce Gillespie shifts the ways we think about black film, treating it not as a category, a genre, or strictly a representation of the black experience but as a visual negotiation between film as art and the discursivity of race. Gillespie challenges expectations that...

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Detalles Bibliográficos
Autor principal: Gillespie, Michael Boyce, 1969- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: London : Duke University Press, 2016.
Colección:Book collections on Project MUSE.
Temas:
Films noirs americains > Histoire et critique.
Films noirs americains > Esthetique.
Cinema > Etats-Unis > Histoire et critique.
Schwarze
Rassismus
Kunst
Film
Diskursivität
Race in motion pictures.
Motion picture industry.
African Americans in motion pictures.
Race films.
SOCIAL SCIENCE > Ethnic Studies > African American Studies.
PERFORMING ARTS > Film > History & Criticism.
Cinema > Industrie > États-Unis.
Race au cinema.
Noirs americains au cinema.
Motion picture industry > United States.
USA
United States.
Electronic books.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Introduction : We insist: the idea of black film
  • Reckless eyeballing: Coonskin and the racial grotesque
  • Smiling faces: Chameleon street and Black performativity
  • Voices inside (everything is everything): Deep cover and modalities of noir blackness
  • Black maybe: Medicine for melancholy, place, and quiet becoming
  • Coda : Destination out.

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