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Film Blackness : American Cinema and the Idea of Black Film /
"In Film Blackness Michael Boyce Gillespie shifts the ways we think about black film, treating it not as a category, a genre, or strictly a representation of the black experience but as a visual negotiation between film as art and the discursivity of race. Gillespie challenges expectations that...
| Autor principal: | |
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| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
London :
Duke University Press,
2016.
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Gillespie, Michael Boyce, |d 1969- |e author. | |
| 245 | 1 | 0 | |a Film Blackness : |b American Cinema and the Idea of Black Film / |c Michael Boyce Gillespie. |
| 264 | 1 | |a London : |b Duke University Press, |c 2016. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2020 | |
| 264 | 4 | |c ©2016. | |
| 300 | |a 1 online resource (243 pages): |b illustrations ; | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | |a Introduction : We insist: the idea of black film -- Reckless eyeballing: Coonskin and the racial grotesque -- Smiling faces: Chameleon street and Black performativity -- Voices inside (everything is everything): Deep cover and modalities of noir blackness -- Black maybe: Medicine for melancholy, place, and quiet becoming -- Coda : Destination out. | |
| 520 | |a "In Film Blackness Michael Boyce Gillespie shifts the ways we think about black film, treating it not as a category, a genre, or strictly a representation of the black experience but as a visual negotiation between film as art and the discursivity of race. Gillespie challenges expectations that black film can or should represent the reality of black life or provide answers to social problems. Instead, he frames black film alongside literature, music, art, photography, and new media, treating it as an interdisciplinary form that enacts black visual and expressive culture. Gillespie discusses the racial grotesque in Ralph Bakshi's Coonskin (1975), black performativity in Wendell B. Harris Jr.'s Chameleon Street (1989), blackness and noir in Bill Duke's Deep Cover (1992), and how place and desire impact blackness in Barry Jenkins's Medicine for Melancholy (2008). Considering how each film represents a distinct conception of the relationship between race and cinema, Gillespie recasts the idea of black film and poses new paradigms for genre, narrative, aesthetics, historiography, and intertextuality."--Publisher's description. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Films noirs americains |x Histoire et critique. |2 ram | |
| 650 | 7 | |a Films noirs americains |x Esthetique. |2 ram | |
| 650 | 7 | |a Cinema |z Etats-Unis |x Histoire et critique. |2 ram | |
| 650 | 7 | |a Schwarze |2 gnd | |
| 650 | 7 | |a Rassismus |2 gnd | |
| 650 | 7 | |a Kunst |2 gnd | |
| 650 | 7 | |a Film |2 gnd | |
| 650 | 7 | |a Diskursivität |2 gnd | |
| 650 | 7 | |a Race in motion pictures. |2 fast |0 (OCoLC)fst01086507 | |
| 650 | 7 | |a Motion picture industry. |2 fast |0 (OCoLC)fst01027150 | |
| 650 | 7 | |a African Americans in motion pictures. |2 fast |0 (OCoLC)fst00799733 | |
| 650 | 7 | |a Race films. |2 fast |0 (OCoLC)fst01736846 | |
| 650 | 7 | |a SOCIAL SCIENCE |x Ethnic Studies |x African American Studies. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film |x History & Criticism. |2 bisacsh | |
| 650 | 6 | |a Cinema |x Industrie |z États-Unis. | |
| 650 | 6 | |a Race au cinema. | |
| 650 | 6 | |a Noirs americains au cinema. | |
| 650 | 0 | |a Motion picture industry |z United States. | |
| 650 | 0 | |a Race in motion pictures. | |
| 650 | 0 | |a African Americans in motion pictures. | |
| 650 | 0 | |a Race films. | |
| 651 | 7 | |a USA |2 gnd | |
| 651 | 7 | |a United States. |2 fast |0 (OCoLC)fst01204155 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/70480/ |
| 945 | |a Project MUSE - Custom Collection | ||