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|a 9780822393016
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|a (OCoLC)1164531189
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|a MdBmJHUP
|c MdBmJHUP
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|a Naficy, Hamid.
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|a A Social History of Iranian Cinema, Volume 2 :
|b The Industrializing Years, 1941-1978 /
|c Hamid Naficy.
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264 |
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|a Durham [N.C.] :
|b Duke University Press,
|c 2011-2012.
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|a Baltimore, Md. :
|b Project MUSE,
|c 2020
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|c ©2011-2012.
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|a 1 online resource (558 pages):
|b illustrations ;
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
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|a online resource
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|a v. 1. The artisanal era, 1897-1941. Preface: how it all began ; Introduction: national cinema, modernity, and Iranian national identity ; Artisanal silent cinema in the Qajar Period ; Ideological and spectatorial formations ; State formation and nonfiction cinema: syncretic Westernization during the first Pahlavi Period ; A transitional cinema: the feature film industry and sound cinema ; Modernity's ambivalent sujectivitiy: dandies and the dandy movie genre -- v. 2. The industrializing years, 1941-1978. International haggling over Iranian public screens ; The statist documentary cinema and its alternatives ; Commercial cinema's evolution: from artisanal mode to hybrid production ; Family melodramas and comedies: the stewpot movie genre ; Males, masculinity, and power: the tough-guy movie genre and its evolution ; A dissident cinema: new-wave films and the end of an era -- v. 3. The Islamicate period, 1978-1984. Transition from "cinema of idolatry" to an "Islamicate cinema" ; Documenting the uprising, the revolution, and the emerging opposition ; Consolidating a new "Islamicate" cinema and film culture -- v. 4. The globalizing era, 1984-2010. The resurgence of nonfiction cinema: postrevolutionary documentaries and fiction war films ; Under cover, on screen: women's representation and women's cinema ; All certainties melt into thin air: art-house cinema, a "postal" cinema ; Emergent contestatory films, media culture, and public diplomacy ; Iranian, but with a different accent: a cinema of displacement or a displaced cinema? ; Appendix A: Iranian films in distribution (c. 2005) ; Appendix B: Film house of Iran's film collection ; Appendix C: International film and video center Iranian film collection.
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|a "Hamid Naficy is one of the world's leading authorities on Iranian film, and A Social History of Iranian Cinema is his magnum opus. Covering the late nineteenth century to the early twenty-first and addressing documentaries, popular genres, and art films, it explains Iran's peculiar cinematic production modes, as well as the role of cinema and media in shaping modernity and a modern national identity in Iran. This comprehensive social history unfolds across four volumes, each of which can be appreciated on its own"--Publisher's description.
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|a Description based on print version record.
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650 |
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7 |
|a Motion pictures
|x Social aspects
|z Iran.
|2 nli
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|a Motion pictures
|z Iran
|x History.
|2 nli
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|a Film.
|2 idszbz
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|a Sozialgeschichte
|2 gnd
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|a Film
|2 gnd
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7 |
|a Motion pictures
|x Social aspects.
|2 fast
|0 (OCoLC)fst01027384
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650 |
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7 |
|a Motion pictures.
|2 fast
|0 (OCoLC)fst01027285
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650 |
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|a Cinema
|x Aspect social
|z Iran.
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650 |
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6 |
|a Cinema
|z Iran
|x Histoire.
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650 |
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0 |
|a Motion pictures
|x Social aspects
|z Iran.
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650 |
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0 |
|a Motion pictures
|z Iran
|x History.
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651 |
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7 |
|a Iran.
|2 idszbz
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651 |
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7 |
|a Iran
|2 gnd
|
651 |
|
7 |
|a Iran.
|2 fast
|0 (OCoLC)fst01204889
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655 |
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7 |
|a History.
|2 fast
|0 (OCoLC)fst01411628
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655 |
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|a Electronic books.
|2 local
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|a Project Muse.
|e distributor
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|a Book collections on Project MUSE.
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|z Texto completo
|u https://projectmuse.uam.elogim.com/book/70450/
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|a Project MUSE - Custom Collection
|