Visual Occupations : Violence and Visibility in a Conflict Zone /

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Gil Z. Hochberg examines films, photography, painting and literature by Israeli and Palestinian artists. Israel's greater ability to control what can be seen, how, and from what position drives the Palestinian-Israeli conflict. The artists Hochberg studies challenge Israel's visual and soc...

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Detalles Bibliográficos
Autor principal: Hochberg, Gil Z., 1969- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: London : Duke University Press, 2015.
Colección:Book collections on Project MUSE.
Temas:
Konst > politiska aspekter.
Fotografering > politiska aspekter.
Palestina > i filmen.
Arabländerna > i massmedia.
Palestinafrågan.
Konflikter > i massmedia.
Visuell kommunikation > politiska aspekter.
Zionism.
Visual communication > Political aspects.
Motion pictures.
Military surveillance.
Mass media.
Arab-Israeli conflict > Mass media and the conflict.
PERFORMING ARTS / Film & Video / History & Criticism
PSYCHOLOGY > Social Psychology.
Surveillance militaire.
Art et photographie > Aspect politique > Palestine.
Conflit israelo-arabe dans les medias.
Communication visuelle > Aspect politique > Palestine.
Art and photography > Political aspects > Palestine.
Visual communication > Political aspects > Palestine.
Middle East > Palestine.
Middle East.
Palestine > In motion pictures.
Middle East > In mass media.
Electronic books.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Visual politics at a conflict zone
  • Concealment
  • Visible invisibility: on ruins, erasure, and haunting
  • From invisible spectators to the spectacle of terror: chronicles of a contested citizenship
  • Surveillance
  • The (soldier's) gaze and the (Palestinian) body: power, fantasy, and desire in the militarized contact zone
  • Visual rights and the prospect of exchange: the photographic event placed under duress
  • Witnessing
  • "Nothing to look at"; or, "For whom are you shooting?": the imperative to witness and the menace of the global gaze
  • Shooting war: on witnessing one's failure to see (on time).

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