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Tropical Riffs : Latin America and the Politics of Jazz /

"In Tropical Riffs Jason Borge traces how jazz helped forge modern identities and national imaginaries in Latin America during the mid-twentieth century. Across Latin America jazz functioned as a conduit through which debates about race, sexuality, nation, technology, and modernity raged in new...

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Detalles Bibliográficos
Autor principal: Borge, Jason, 1965- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Durham : Duke University Press, 2018.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2020 
264 4 |c ©2018. 
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505 0 |a Kindred sounds and Latin cats -- La civilizada selva: Latin America and the Jazz Age -- Dark pursuits: Argentina, race, and jazz -- The anxiety of Americanization: jazz, samba, and bossa nova -- The hazards of hybridity: Afro-Cuban jazz, mambo, and revolution -- Liberation, disenchantment, and the afterlives of jazz -- The cruelty of jazz. 
520 |a "In Tropical Riffs Jason Borge traces how jazz helped forge modern identities and national imaginaries in Latin America during the mid-twentieth century. Across Latin America jazz functioned as a conduit through which debates about race, sexuality, nation, technology, and modernity raged in newspapers, magazines, literature, and film. For Latin American audiences, critics, and intellectuals -- who often understood jazz to stem from social conditions similar to their own -- the profound penetration into the fabric of everyday life of musicians like Duke Ellington, Dizzy Gillespie, and Charlie Parker represented the promises of modernity while simultaneously posing a threat to local and national identities. Brazilian antijazz rhetoric branded jazz as a problematic challenge to samba and emblematic of Americanization. In Argentina, jazz catalyzed discussions about musical authenticity, race, and national culture, especially in relation to tango. And in Cuba, the widespread popularity of Chano Pozo and Dámaso Perez Prado popularity challenged the United States' monopoly on jazz. Outlining these hemispheric flows of ideas, bodies, and music, Borge elucidates how "America's art form" was, and remains, a transnational project and a collective idea."--Publisher's description. 
588 |a Description based on print version record. 
650 7 |a Jazz  |x Social aspects.  |2 fast  |0 (OCoLC)fst00982185 
650 7 |a Jazz.  |2 fast  |0 (OCoLC)fst00982165 
650 7 |a MUSIC / Genres & Styles / Jazz  |2 bisacsh 
650 7 |a SOCIAL SCIENCE  |x Popular Culture.  |2 bisacsh 
650 7 |a SOCIAL SCIENCE  |x Anthropology  |x Cultural.  |2 bisacsh 
650 7 |a POLITICAL SCIENCE  |x Public Policy  |x Cultural Policy.  |2 bisacsh 
650 0 |a Jazz  |z Latin America  |x History  |y 20th century. 
650 0 |a Jazz  |z Latin America  |x History and criticism. 
650 0 |a Jazz  |x Social aspects  |z Latin America. 
651 7 |a Latin America.  |2 fast  |0 (OCoLC)fst01245945 
655 7 |a History.  |2 fast  |0 (OCoLC)fst01411628 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a Electronic books.   |2 local 
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830 0 |a Book collections on Project MUSE. 
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