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110708s2011 ncu o 00 0 eng d |
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|z 2011027508
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|a 9780822393726
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|z 9780822349181
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|z 9780822348955
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|a (OCoLC)761742646
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|a MdBmJHUP
|c MdBmJHUP
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100 |
1 |
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|a Mirzoeff, Nicholas,
|d 1962-
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|a The Right to Look :
|b A Counterhistory of Visuality /
|c Nicholas Mirzoeff.
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264 |
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|a Durham, NC :
|b Duke University Press,
|c 2011.
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264 |
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|a Baltimore, Md. :
|b Project MUSE,
|c 2020
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264 |
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|c ©2011.
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300 |
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|a 1 online resource (414 pages):
|b illustrations ;
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336 |
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a E-Duke books scholarly collection
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|a Oversight : the ordering of slavery -- The modern imaginary : anti-slavery revolutions and the right to existence -- Visuality : authority and war -- Abolition realism : reality, realisms, and revolution -- Imperial visuality and countervisuality, ancient and modern -- Anti-fascist neorealisms : North-South and the permanent battle for Algiers -- Global counterinsurgency and the crisis of visuality.
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|a In The Right to Look, Nicholas Mirzoeff develops a comparative de-colonial framework for visual culture studies, a field that he has helped to create and shape. Casting modernity as an ongoing contest between visuality and counter-visuality, or "the right to look," he explains how visuality sutures authority to power and renders the association natural. An early-nineteenth-century concept, meaning the visualization of history, visuality has been central to the legitimization of Western hegemony. Mirzoeff identifies three "complexes of visuality," plantation slavery, imperialism, and the present-day military-industrial complex. He describes how, within each of these, power is made to seem self-evident through techniques of classification, separation, and aestheticization. At the same time, he shows how each complex of visuality has been counteredoby the enslaved, the colonized, and opponents of war, all of whom assert autonomy from authority by claiming the right to look. Encompassing the Caribbean plantation and the Haitian revolution, anti-colonialism in the South Pacific, anti-fascism in Italy and Algeria, and the contemporary global counterinsurgency, The Right to Look is a work of astonishing geographic, temporal, and conceptual reach.
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588 |
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|a Description based on print version record.
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650 |
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7 |
|a Visual communication
|x Political aspects.
|2 nli
|
650 |
|
7 |
|a Mass media
|x Political aspects.
|2 nli
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650 |
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7 |
|a Communication and culture
|x Political aspects.
|2 nli
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650 |
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7 |
|a Mass media and world politics.
|2 nli
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650 |
|
7 |
|a Visual communication
|x Political aspects.
|2 idszbzes
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650 |
|
7 |
|a Visual communication
|x History.
|2 idszbzes
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650 |
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7 |
|a Kulturleben.
|2 idszbz
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650 |
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7 |
|a Internationale Politik.
|2 idszbz
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650 |
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7 |
|a Kommunikation.
|2 idszbz
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650 |
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7 |
|a Massenmedien.
|2 idszbz
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650 |
|
7 |
|a Visuelle Kommunikation.
|2 idszbz
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650 |
|
7 |
|a Politik
|2 gnd
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650 |
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7 |
|a Bild
|2 gnd
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650 |
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7 |
|a Diskursanalyse
|2 gnd
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650 |
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7 |
|a Visuelle Kommunikation
|2 gnd
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650 |
|
7 |
|a Bildpublizistik
|2 gnd
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650 |
|
7 |
|a Massenmedien
|2 gnd
|
650 |
|
7 |
|a Weltpolitik
|2 gnd
|
650 |
|
7 |
|a Visual communication
|x Political aspects.
|2 fast
|0 (OCoLC)fst01168003
|
650 |
|
7 |
|a Mass media
|x Political aspects.
|2 fast
|0 (OCoLC)fst01011278
|
650 |
|
7 |
|a Mass media and world politics.
|2 fast
|0 (OCoLC)fst01740280
|
650 |
|
6 |
|a Communication visuelle
|x Aspect politique.
|
650 |
|
6 |
|a Communication et culture
|x Aspect politique.
|
650 |
|
6 |
|a Medias et politique mondiale.
|
650 |
|
0 |
|a Visual communication
|x Political aspects.
|
650 |
|
0 |
|a Mass media
|x Political aspects.
|
650 |
|
0 |
|a Communication and culture
|x Political aspects.
|
650 |
|
0 |
|a Mass media and world politics.
|
600 |
1 |
7 |
|a Krieg, ...
|2 gnd
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655 |
|
7 |
|a Electronic books.
|2 local
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710 |
2 |
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|a Project Muse.
|e distributor
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830 |
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0 |
|a Book collections on Project MUSE.
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856 |
4 |
0 |
|z Texto completo
|u https://projectmuse.uam.elogim.com/book/70308/
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945 |
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|a Project MUSE - Custom Collection
|