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The Living Dead : A Study of the Vampire in Romantic Literature /

In his Preface to The Living Dead: A Study of the Vampire in Romantic Literature, James Twitchell writes that he is not interested in the current generation of vampires, which he finds "rude, boring and hopelessly adolescent. However, they have not always been this way. In fact, a century ago t...

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Detalles Bibliográficos
Autor principal: Twitchell, James B., 1943- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Durham, N.C. : Duke University Press, 1981.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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040 |a MdBmJHUP  |c MdBmJHUP 
100 1 |a Twitchell, James B.,  |d 1943-  |e author. 
245 1 4 |a The Living Dead :   |b A Study of the Vampire in Romantic Literature /   |c James B. Twitchell. 
264 1 |a Durham, N.C. :  |b Duke University Press,  |c 1981. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2020 
264 4 |c ©1981. 
300 |a 1 online resource (229 pages):   |b illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
505 0 |a Introduction -- The female vampire -- The male vampire in poetry -- The vampire in prose -- The artist as vampire -- Epilogue: D.H. Lawrence and the modern vampire -- Appendix: Varney the vampire. 
520 |a In his Preface to The Living Dead: A Study of the Vampire in Romantic Literature, James Twitchell writes that he is not interested in the current generation of vampires, which he finds "rude, boring and hopelessly adolescent. However, they have not always been this way. In fact, a century ago they were often quite sophisticated, used by artists varied as Blake, Poe, Coleridge, the Brontes, Shelley, and Keats, to explain aspects of interpersonal relations. However vulgar the vampire has since become, it is important to remember that along with the Frankenstein monster, the vampire is one of the major mythic figures bequeathed to us by the English Romantics. Simply in terms of cultural influence and currency, the vampire is far more important than any other nineteenth-century archetypes; in fact, he is probably the most enduring and prolific mythic figure we have. This book traces the vampire out of folklore into serious art until he stabilizes early in this century into the character we all too easily recognize. 
588 |a Description based on print version record. 
650 1 7 |a Engels.  |2 gtt 
650 1 7 |a Vampiers.  |2 gtt 
650 1 7 |a Letterkunde.  |2 gtt 
650 7 |a Vampires in literature.  |2 fast  |0 (OCoLC)fst01163974 
650 7 |a Romanticism.  |2 fast  |0 (OCoLC)fst01100133 
650 7 |a Horror tales.  |2 fast  |0 (OCoLC)fst00960387 
650 7 |a English literature.  |2 fast  |0 (OCoLC)fst00911989 
650 7 |a American literature.  |2 fast  |0 (OCoLC)fst00807113 
650 7 |a LITERARY CRITICISM / European / English, Irish, Scottish, Welsh  |2 bisacsh 
650 7 |a LITERARY CRITICISM  |x European  |x English, Irish, Scottish, Welsh.  |2 bisacsh 
650 6 |a Romantisme  |z Anglophonie. 
650 6 |a Vampires dans la litterature. 
650 6 |a Recits d'horreur  |x Histoire et critique. 
650 6 |a Litterature americaine  |y 19e siecle  |x Histoire et critique. 
650 6 |a Litterature anglaise  |y 19e siecle  |x Histoire et critique. 
650 0 |a Romanticism  |z English-speaking countries. 
650 0 |a Vampires in literature. 
650 0 |a Horror tales  |x History and criticism. 
650 0 |a American literature  |y 19th century  |x History and criticism. 
650 0 |a English literature  |y 19th century  |x History and criticism. 
651 7 |a English-speaking countries.  |2 fast  |0 (OCoLC)fst01261775 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/70302/ 
945 |a Project MUSE - Custom Collection