Photography after Photography : Gender, Genre, History /

In essays analyzing the photography of luminaries such as Cindy Sherman, Robert Mapplethorpe, and Susan Meiselas, pioneering feminist art critic Abigail Solomon-Godeau extends her politically engaged and theoretically sophisticated inquiry into the historical and cultural circuits of power as they s...

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Detalles Bibliográficos
Autor principal: Solomon-Godeau, Abigail (Autor)
Otros Autores: Parsons, Sarah (Sarah Caitlin), 1971- (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Durham : Duke University Press, 2017.
Colección:Book collections on Project MUSE.
Temas:
Photography > Philosophy.
Photography, Artistic.
Feminism and art.
PHOTOGRAPHY > Criticism.
TECHNOLOGY & ENGINEERING > Imaging Systems.
PHOTOGRAPHY > Reference.
COMPUTERS > Digital Media > Photography.
art photography.
Feminisme et art.
Photographie > Philosophie.
Photographie artistique.
Electronic books.
Acceso en línea:Texto completo

MARC

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100 1 |a Solomon-Godeau, Abigail,  |e author. 
245 1 0 |a Photography after Photography :   |b Gender, Genre, History /   |c Abigail Solomon-Godeau ; edited by Sarah Parsons. 
264 1 |a Durham :  |b Duke University Press,  |c 2017. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2020 
264 4 |c ©2017. 
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505 0 0 |t Inside/out (1995) --  |t Written on the body (1997) --  |t The family of man : refurbishing humanism for a postmodern age (2004) --  |t Torture at Abu Ghraib : in and out of the media (2007) --  |t Harry Callahan : gender, genre, and street photography (2007) --  |t Caught looking : Susan Meiselas's Carnival strippers (2008) --  |t Framing landscape photography (2010) --  |t The ghosts of documentary (2012) --  |t Inventing Vivian Maier : categories, careers, and commerce (2013) --  |t Robert Mapplethorpe : whitewashed and polished (2014) --  |t Body double (2014) --  |t The coming of age : Cindy Sherman, feminism, and art history (2014) 
520 |a In essays analyzing the photography of luminaries such as Cindy Sherman, Robert Mapplethorpe, and Susan Meiselas, pioneering feminist art critic Abigail Solomon-Godeau extends her politically engaged and theoretically sophisticated inquiry into the historical and cultural circuits of power as they shape and inform the practice, criticism, and historiography of photography 
588 |a Description based on print version record. 
650 7 |a Photography  |x Philosophy.  |2 fast  |0 (OCoLC)fst01061781 
650 7 |a Photography, Artistic.  |2 fast  |0 (OCoLC)fst01061964 
650 7 |a Feminism and art.  |2 fast  |0 (OCoLC)fst00922727 
650 7 |a PHOTOGRAPHY  |x Criticism.  |2 bisacsh 
650 7 |a TECHNOLOGY & ENGINEERING  |x Imaging Systems.  |2 bisacsh 
650 7 |a PHOTOGRAPHY  |x Reference.  |2 bisacsh 
650 7 |a COMPUTERS  |x Digital Media  |x Photography.  |2 bisacsh 
650 7 |a art photography.  |2 aat 
650 6 |a Feminisme et art. 
650 6 |a Photographie  |x Philosophie. 
650 6 |a Photographie artistique. 
650 0 |a Feminism and art. 
650 0 |a Photography  |x Philosophy. 
650 0 |a Photography, Artistic. 
655 7 |a Electronic books.   |2 local 
700 1 |a Parsons, Sarah  |q (Sarah Caitlin),  |d 1971-  |e editor. 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/70276/ 
945 |a Project MUSE - Custom Collection 

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