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Figures of Resistance : Language, Poetry, and Narrating in The Tale of the Genji and Other Mid-Heian Texts /

In this revisionist study of texts from the mid-Heian period in Japan, H. Richard Okada offers new readings of three well-known tales: The tale of the bamboo-cutter, The tale of Ise, and The tale of Genji. Okada contends that the cultural and gendered significance of these works has been distorted b...

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Detalles Bibliográficos
Autor principal: Okada, H. Richard
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Durham : Duke University Press, 1991.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Okada, H. Richard. 
245 1 0 |a Figures of Resistance :   |b Language, Poetry, and Narrating in The Tale of the Genji and Other Mid-Heian Texts /   |c H. Richard Okada. 
264 1 |a Durham :  |b Duke University Press,  |c 1991. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2020 
264 4 |c ©1991. 
300 |a 1 online resource (400 pages). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a Post-contemporary interventions 
505 0 |a Tales of the Bamboo Cutter: Languages of Narrating and Bamboo-Cutter Pretexts. A "Pivotal" Narrative: The Tale of the Bamboo Cutter -- Waka Poetics" and Tales of lse". Constructing a Capital "Poetics," Kokin wakashu. An Early Figure of Resistance: Lady Ise. Sexual/Textual Politics and The Tale of Ise -- Tales of Genji": Situating the "Feminine Hand." Narrating the Private: "Kiritsubo." Feminine Representation and Critique, "Hahakigi." A Figure of Narrating: Tamakazura. Aesthetics, Politics, and Genealogy. Substitutions and Incidental Narrating, "Wakamurasaki." The Akashi Intertexts -- Epilogue: Endings, Tellings, and Retellings -- Appendix: Chapters in The Tale of Genji. 
520 |a In this revisionist study of texts from the mid-Heian period in Japan, H. Richard Okada offers new readings of three well-known tales: The tale of the bamboo-cutter, The tale of Ise, and The tale of Genji. Okada contends that the cultural and gendered significance of these works has been distorted by previous commentaries and translations belonging to the larger patriarchal and colonialist discourse of Western civilization. He goes on to suggest that this universalist discourse, which silences the feminine aspects of these texts and subsumes their writing in misapplied Western canonical literary terms, is sanctioned and maintained by the discipline of Japanese literature. Okada develops a highly original and sophisticated reading strategy that demonstrates how readers might understand texts belonging to a different time and place without being complicit in their assimilation to categories derived from Western literary traditions. The author's reading strategy is based on the texts' own resistance to modes of analysis that employ such Western canonical terms as novel, lyric, and third-person narrative. Emphasis is also given to the distinctive cultural circles, as well as socio-political and genealogical circumstances that surrounded the emergence of the texts. 
588 |a Description based on print version record. 
650 7 |a Japanese literature  |x Heian period.  |2 fast  |0 (OCoLC)fst01710986 
650 7 |a LITERARY CRITICISM  |x Asian  |x General.  |2 bisacsh 
650 6 |a Litterature japonaise  |y 794-1185 (Époque de Heian)  |x Histoire et critique. 
650 0 |a Japanese literature  |y Heian period, 794-1185  |x History and criticism. 
600 1 7 |a Murasaki Shikibu.  |t Genji-monogatari.  |2 swd 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a Electronic books.   |2 local 
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830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/70244/ 
945 |a Project MUSE - Custom Collection