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The Portrait's Subject : Inventing Inner Life in the Nineteenth-Century United States /
"Between the invention of photography in 1839 and the end of the nineteenth century, portraiture became one of the most popular and common art forms in the United States. ... images of human surfaces became understood as expressions of human depth during this era. Combining visual theory, liter...
| Autor principal: | |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Chapel Hill :
University of North Carolina Press,
[2019]
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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|---|---|---|---|
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| 005 | 20230905051238.0 | ||
| 006 | m o d | ||
| 007 | cr||||||||nn|n | ||
| 008 | 191023s2019 ncu o 00 0 eng d | ||
| 020 | |a 9781469652610 | ||
| 020 | |z 9781469652603 | ||
| 020 | |z 9781469652580 | ||
| 020 | |z 9781469652597 | ||
| 035 | |a (OCoLC)1124854573 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Blackwood, Sarah, |e author. | |
| 245 | 1 | 4 | |a The Portrait's Subject : |b Inventing Inner Life in the Nineteenth-Century United States / |c Sarah Blackwood. |
| 264 | 1 | |a Chapel Hill : |b University of North Carolina Press, |c [2019] | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2019 | |
| 264 | 4 | |c ©[2019] | |
| 300 | |a 1 online resource (216 pages). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a Studies in United States culture | |
| 505 | 0 | |a In the portrait gallery of American literature -- Face: Hepzibah's scowl -- Head: writing the African American portrait -- Limbs: postbellum portraiture and the mind-body problem -- Mind/brain: the physiognomy of consciousness -- Bones: the x-ray and the inert body -- Selfie nation. | |
| 520 | |a "Between the invention of photography in 1839 and the end of the nineteenth century, portraiture became one of the most popular and common art forms in the United States. ... images of human surfaces became understood as expressions of human depth during this era. Combining visual theory, literary close reading, and in-depth archival research, Blackwood examines portraiture's changing symbolic and aesthetic practices, from daguerreotype to X-ray. Considering painting, photography, illustration, and other visual forms alongside literary and cultural representations of portrait making and viewing, Blackwood argues that portraiture was a provocative art form used by writers, artists, and early psychologists to imagine selfhood as hidden, deep, and in need of revelation, ideas that were then taken up by the developing discipline of psychology"-- |c Provided by publisher | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Psychology and art. |2 fast |0 (OCoLC)fst01081550 | |
| 650 | 7 | |a Portraits, American. |2 fast |0 (OCoLC)fst01072342 | |
| 650 | 7 | |a Identity (Psychology) in literature. |2 fast |0 (OCoLC)fst00966910 | |
| 650 | 7 | |a Identity (Psychology) in art. |2 fast |0 (OCoLC)fst00966908 | |
| 650 | 7 | |a LITERARY CRITICISM |x American |x General. |2 bisacsh | |
| 650 | 6 | |a Psychologie et art. | |
| 650 | 6 | |a Identite (Psychologie) dans la litterature. | |
| 650 | 6 | |a Identite (Psychologie) dans l'art. | |
| 650 | 6 | |a Portraits americains. | |
| 650 | 0 | |a Psychology and art. | |
| 650 | 0 | |a Identity (Psychology) in literature. | |
| 650 | 0 | |a Identity (Psychology) in art. | |
| 650 | 0 | |a Portraits, American. | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/70218/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - 2019 Complete | ||
| 945 | |a Project MUSE - 2019 Literature | ||