|
|
|
|
LEADER |
00000cam a22000004a 4500 |
001 |
musev2_70137 |
003 |
MdBmJHUP |
005 |
20230905051233.0 |
006 |
m o d |
007 |
cr||||||||nn|n |
008 |
100822s2011 ncu o 00 0 eng d |
010 |
|
|
|z 2010035883
|
020 |
|
|
|a 9780822393528
|
020 |
|
|
|z 9780822348757
|
020 |
|
|
|z 9780822348641
|
035 |
|
|
|a (OCoLC)717324468
|
040 |
|
|
|a MdBmJHUP
|c MdBmJHUP
|
100 |
1 |
|
|a McLeod, Kembrew,
|d 1970-
|
245 |
1 |
0 |
|a Creative License :
|b The Law and Culture of Digital Sampling /
|c Kembrew McLeod and Peter DiCola ; with Jenny Toomey and Kristin Thomson.
|
264 |
|
1 |
|a Durham [NC] :
|b Duke University Press,
|c 2011.
|
264 |
|
3 |
|a Baltimore, Md. :
|b Project MUSE,
|c 2020
|
264 |
|
4 |
|c ©2011.
|
300 |
|
|
|a 1 online resource (336 pages).
|
336 |
|
|
|a text
|b txt
|2 rdacontent
|
337 |
|
|
|a computer
|b c
|2 rdamedia
|
338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
505 |
0 |
|
|a The golden age of sampling -- A legal and cultural history of sound collage -- The competing interests in sample licensing -- Sampling lawsuits : hip-hop goes to court -- The sample clearance system : how it works (and how it breaks down) -- Consequences for creativity : an assessment of the sample clearance system -- Proposals for reform.
|
520 |
|
|
|a Examines the legal, economic, and cultural stakes of music sampling from the differing perspectives of artists, music labels, copyright lawyers, managers, and music publishers
|
588 |
|
|
|a Description based on print version record.
|
650 |
|
7 |
|0 (FrPBN)15979815
|a Échantillonnage (musique)
|0 (FrPBN)13318687
|x Droit
|0 (FrPBN)11931371
|z États-Unis.
|2 ram
|
650 |
|
7 |
|0 (FrPBN)15979815
|a Échantillonnage (musique)
|0 (FrPBN)13318481
|x Anthropologie.
|2 ram
|
650 |
|
7 |
|0 (FrPBN)15979815
|a Échantillonnage (musique)
|0 (FrPBN)11934444
|x Histoire.
|2 ram
|
650 |
|
7 |
|a Sampler (Musical instrument)
|2 fast
|0 (OCoLC)fst01104663
|
650 |
|
7 |
|a Plagiarism in music.
|2 fast
|0 (OCoLC)fst01065028
|
650 |
|
7 |
|a Copyright
|x Music.
|2 fast
|0 (OCoLC)fst00878748
|
650 |
|
6 |
|a Plagiat dans la musique.
|
650 |
|
6 |
|a Échantillonneur (Instrument de musique)
|
650 |
|
6 |
|a Droit d'auteur
|x Musique
|z États-Unis.
|
650 |
|
0 |
|a Plagiarism in music.
|
650 |
|
0 |
|a Sampler (Musical instrument)
|
650 |
|
0 |
|a Copyright
|x Music
|z United States.
|
651 |
|
7 |
|a Musik.
|0 (DE-603)086236296
|0 (DE-588c)4236246-5
|2 swd
|
651 |
|
7 |
|a United States.
|2 fast
|0 (OCoLC)fst01204155
|
600 |
1 |
7 |
|a Urheberrecht.
|0 (DE-603)08517291X
|0 (DE-588c)4062127-3
|2 swd
|
600 |
1 |
7 |
|a Sampling.
|0 (DE-603)086236296
|0 (DE-588c)4236246-5
|2 swd
|
655 |
|
7 |
|a Electronic books.
|2 local
|
700 |
1 |
|
|a DiCola, Peter,
|d 1976-
|
710 |
2 |
|
|a Project Muse.
|e distributor
|
830 |
|
0 |
|a Book collections on Project MUSE.
|
856 |
4 |
0 |
|z Texto completo
|u https://projectmuse.uam.elogim.com/book/70137/
|
945 |
|
|
|a Project MUSE - Custom Collection
|