|
|
|
|
LEADER |
00000cam a22000004a 4500 |
001 |
musev2_70033 |
003 |
MdBmJHUP |
005 |
20230905051227.0 |
006 |
m o d |
007 |
cr||||||||nn|n |
008 |
130913s2013 ncu o 00 0 eng d |
020 |
|
|
|a 9780822377320
|
020 |
|
|
|z 9780822355250
|
020 |
|
|
|z 9780822355403
|
035 |
|
|
|a (OCoLC)858021764
|
040 |
|
|
|a MdBmJHUP
|c MdBmJHUP
|
100 |
1 |
|
|a Trinh, T. Minh-Ha
|q (Thi Minh-Ha),
|d 1952-
|e author.
|
245 |
1 |
0 |
|a D-Passage :
|b The Digital Way /
|c Trinh T. Minh-ha.
|
264 |
|
1 |
|a Durham :
|b Duke University Press,
|c 2013.
|
264 |
|
3 |
|a Baltimore, Md. :
|b Project MUSE,
|c 2020
|
264 |
|
4 |
|c ©2013.
|
300 |
|
|
|a 1 online resource (226 pages):
|b illustrations
|
336 |
|
|
|a text
|b txt
|2 rdacontent
|
337 |
|
|
|a computer
|b c
|2 rdamedia
|
338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
505 |
0 |
|
|a Lotus eye (Making Night Passage and reading Miyazawa Kenji) -- Night passage (filmscript) -- A sound print in the human archive with sidsel nelund -- The depth of time with Alison Rowley -- What's eons new? with Rosa Reitsamer -- The politics of form and forces with Eva Hohenberger -- L'Autre marche (The Other walk) -- L'entre-muse: the world, with each step with Elvan zabunyan.
|
520 |
|
|
|a The world-renowned filmmaker, artist, and critical theorist Trinh T. Minh-ha discusses the potentials and impact of new technology on cinema culture and explores its effects on creative practice.
|
588 |
|
|
|a Description based on print version record.
|
600 |
1 |
7 |
|a Trinh, T. Minh-Ha
|q (Thi Minh-Ha),
|d 1952-
|2 fast
|0 (OCoLC)fst00104058
|
600 |
1 |
0 |
|a Trinh, T. Minh-Ha
|q (Thi Minh-Ha),
|d 1952-
|v Interviews.
|
600 |
1 |
0 |
|a Trinh, T. Minh-Ha
|q (Thi Minh-Ha),
|d 1952-
|x Themes, motives.
|
630 |
0 |
7 |
|a Bibel
|p Philemonbrief
|2 gnd
|
630 |
0 |
7 |
|a Night passage
|g Film
|2 gnd
|
630 |
0 |
0 |
|a Night passage (Motion picture : 2004)
|
650 |
|
7 |
|a Photography.
|2 ukslc
|
650 |
|
7 |
|a Digital filmteknik.
|2 sao
|
650 |
|
7 |
|a Digitale Filmtechnik
|2 gnd
|
650 |
|
7 |
|a Themes, motives.
|2 fast
|0 (OCoLC)fst01355139
|
650 |
|
7 |
|a Digital cinematography.
|2 fast
|0 (OCoLC)fst00893633
|
650 |
|
7 |
|a Photography.
|2 eflch
|
650 |
|
7 |
|a SOCIAL SCIENCE
|x Feminism & Feminist Theory.
|2 bisacsh
|
650 |
|
7 |
|a PHOTOGRAPHY
|x Techniques
|x Cinematography & Videography.
|2 bisacsh
|
650 |
|
7 |
|a ART
|x Film & Video.
|2 bisacsh
|
650 |
|
6 |
|a Cinema numerique.
|
650 |
|
0 |
|a Digital cinematography.
|
655 |
|
7 |
|a Interviews.
|2 rvmgf
|
655 |
|
7 |
|a Interviews.
|2 lcgft
|
655 |
|
7 |
|a Interviews.
|2 fast
|0 (OCoLC)fst01423832
|
655 |
|
7 |
|a interviews.
|2 aat
|
655 |
|
2 |
|a Interview
|
655 |
|
7 |
|a Electronic books.
|2 local
|
710 |
2 |
|
|a Project Muse.
|e distributor
|
830 |
|
0 |
|a Book collections on Project MUSE.
|
856 |
4 |
0 |
|z Texto completo
|u https://projectmuse.uam.elogim.com/book/70033/
|
945 |
|
|
|a Project MUSE - Custom Collection
|