Cutting Across Media : Appropriation Art, Interventionist Collage, and Copyright Law /

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The contributors to this book focus on collage and appropriation art, exploring the legal ramifications of such practices in an age when private companies can own culture using copyright and trademark law.

Detalles Bibliográficos
Otros Autores: Kuenzli, Rudolf E. (Editor ), McLeod, Kembrew, 1970- (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: London : Duke University Press, 2011.
Colección:Book collections on Project MUSE.
Temas:
Collage > Musikgruppe
Kunst
Urheberrecht
Intellectual property.
Fair use (Copyright)
Copyright.
ART > History > General.
LAW > Intellectual Property > Copyright.
intellectual property.
Citation > Aspect social.
Propriete intellectuelle.
Collage (Art) > Aspect social.
Droit d'auteur > Art.
Fair use (Copyright) > United States.
Quotation > Social aspects.
Collage > Social aspects.
Copyright > Art.
USA
United States.
Art.
Electronic books.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • I collage, therefore I am : an introduction to cutting across media / Kembrew McLeod and Rudolf Kuenzli
  • Digital Mana: on the source of the infinite proliferation of mutant copies in contemporary culture / Marcus Boon
  • Copyrights and copywrongs: an interview with Siva Vaidhyanathan / Carrie McLaren
  • Das Plagiierenwerk : convolute Uii / David Tetzlaff
  • PhotoStatic Magazine and the rise of the casual publisher / Lloyd Dunn
  • Plagiarism 101 : an appropriated oral history of The Tape-beatles / Kembrew McLeod
  • Ambiguity and theft / Joshua Clover
  • Where does sad news come from? / Douglas Kahn
  • Excerpts from "Two relationships to a cultural public domain" / Negativland
  • Everybody's got something to hide except for me and my lawsuit: William S. Burroughs, DJ Danger Mouse, and the politics of Grey Tuesday / Davis Schneiderman
  • How copyright law changed hip-hop: an interview with Public Enemy's Chuck D and Hank Shocklee / Kembrew McLeod
  • Hip-hop meets the avant-garde: a cease and desist letter from Philip Glass / Warner Special Products
  • Getting snippety / Philo T. Farnsworth
  • Crashing the spectacle: a forgotten history of digital sampling, infringement, copyright liberation, and the end of recorded music / Kembrew McLeod
  • Billboard liberation: a photo essay / Craig Baldwin
  • On the seamlessly nomadic future of collage / Pierre Joris
  • Cultural sampling and social critique: the collage aesthetic of Chris Ofili / Lorraine Morales Cox
  • Remixing cultures: Bartók and Kodály in the age of indigenous cultural rights / Gábor Vályi
  • A day to sing: creativity, diversity, and freedom of expression in the network society / Jeff Chang
  • Visualizing copyright, seeing hegemony: toward a meta-critique of intellectual property / Eva Hemmungs Wirten
  • Collage as practice and metaphor in popular culture / David Banash
  • Assassination weapons: the visual culture of New Wave science fiction / Rob Latham
  • Free culture: a conversation with Jonathan Lethem / Kembrew McLeod
  • The ecstasy of influence: a plagiarism / Jonathan Lethem.

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