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What Does It Mean to Be Post-Soviet? : Decolonial Art from the Ruins of the Soviet Empire /

In 'What Does It Mean to Be Post-Soviet?' Madina Tlostanova traces how contemporary post-Soviet art mediates this human condition. Observing how the concept of the happy future-which was at the core of the project of Soviet modernity-has lapsed from the post-Soviet imagination, Tlostanova...

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Detalles Bibliográficos
Autor principal: Tlostanova, M. V. (Madina Vladimirovna) (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Durham : Duke University Press, 2018.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Tlostanova, M. V.  |q (Madina Vladimirovna),  |e author. 
245 1 0 |a What Does It Mean to Be Post-Soviet? :   |b Decolonial Art from the Ruins of the Soviet Empire /   |c Madina Tlostanova. 
264 1 |a Durham :  |b Duke University Press,  |c 2018. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2020 
264 4 |c ©2018. 
300 |a 1 online resource (160 pages):   |b illustrations 
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337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a On decoloniality 
505 0 |a The decolonial sublime -- Decolonial aesthesis and post-Soviet art -- A woman who has many selves and takes over many spaces : a conversation with Liina Siib -- Beyond dependencies : a talk with Vyacheslav Akhunov, the lonely ranger of Uzbek contemporary art -- Reflecting on time, space, and memory with Afanassy Mamedov. 
520 8 |a In 'What Does It Mean to Be Post-Soviet?' Madina Tlostanova traces how contemporary post-Soviet art mediates this human condition. Observing how the concept of the happy future-which was at the core of the project of Soviet modernity-has lapsed from the post-Soviet imagination, Tlostanova shows how the possible way out of such a sense of futurelessness lies in the engagement with activist art. She interviews artists, art collectives, and writers such as Estonian artist Liina Siib, Uzbek artist Vyacheslav Akhunov, and Azerbaijani writer Afanassy Mamedov who frame the post-Soviet condition through the experience and expression of community, space, temporality, gender, and negotiating the demands of the state and the market. In foregrounding the unfolding aesthesis and activism in the post-Soviet space, Tlostanova emphasizes the important role that decolonial art plays in providing the foundation upon which to build new modes of thought and a decolonial future. 
588 |a Description based on print version record. 
650 7 |a Postcolonialism and the arts.  |2 fast  |0 (OCoLC)fst01073034 
650 7 |a Post-communism  |x Social aspects.  |2 fast  |0 (OCoLC)fst01072739 
650 7 |a Art  |x Political aspects.  |2 fast  |0 (OCoLC)fst00815309 
650 7 |a ART / Russian & Former Soviet Union  |2 bisacsh 
650 7 |a ART  |x Reference.  |2 bisacsh 
650 7 |a ART  |x Performance.  |2 bisacsh 
650 6 |a Art  |x Aspect politique  |z Ex-URSS. 
650 6 |a Postcommunisme  |x Aspect social  |z Ex-URSS. 
650 6 |a Postcolonialisme et arts  |z Ex-URSS. 
650 0 |a Art  |x Political aspects  |z Former Soviet republics. 
650 0 |a Post-communism  |x Social aspects  |z Former Soviet republics. 
650 0 |a Postcolonialism and the arts  |z Former Soviet republics. 
651 7 |a Soviet Union  |z Former Soviet republics.  |2 fast  |0 (OCoLC)fst01262458 
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830 0 |a Book collections on Project MUSE. 
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945 |a Project MUSE - Custom Collection