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Birds of Fire : Jazz, Rock, Funk, and the Creation of Fusion /
Birds of Fire brings overdue critical attention to fusion, the musical idiom that emerged in the late 1960s and 1970s, as musicians blended elements of jazz, rock, and funk. Fusion never coalesced into a distinct genre; many artists and critics disparaged the music as amorphous and hard to define. K...
| Autor principal: | |
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| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Durham :
Duke University Press,
2011.
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 020 | |a 9780822394389 | ||
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| 035 | |a (OCoLC)1145419894 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Fellezs, Kevin. | |
| 245 | 1 | 0 | |a Birds of Fire : |b Jazz, Rock, Funk, and the Creation of Fusion / |c Kevin Fellezs. |
| 264 | 1 | |a Durham : |b Duke University Press, |c 2011. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2020 | |
| 264 | 4 | |c ©2011. | |
| 300 | |a 1 online resource (312 pages): |b illustrations ; | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a Refiguring American music | |
| 505 | 0 | |a Bitches brew : considering genre -- Where have I known you before? : fusion's foundations -- Vital transformation : fusion's discontents -- Emergency! : Tony Williams -- Meeting of the Spirits : John McLaughlin -- Don Juan's reckless daughter : Joni Mitchell -- Chameleon : Herbie Hancock. | |
| 520 | |a Birds of Fire brings overdue critical attention to fusion, the musical idiom that emerged in the late 1960s and 1970s, as musicians blended elements of jazz, rock, and funk. Fusion never coalesced into a distinct genre; many artists and critics disparaged the music as amorphous and hard to define. Kevin Fellezs contends that fusion's much-derided hybridity was its very reason for being. By mixing different musical and cultural traditions, fusion artists sought to disrupt generic boundaries, cultural hierarchies, and critical assumptions. Fellezs develops his argument through rigorous analysis of the music of four distinctive fusion artists. Interpreting the work of Tony Williams, John McLaughlin, Joni Mitchell, and Herbie Hancock, he explores the challenges that fusion posed to generic conventions and considers the extent to which a musician can be taken seriously as an artist across divergent musical traditions. Fellezs concludes Birds of Fire with a look at the current activities of McLaughlin, Mitchell and Hancock; Williams's final recordings; and the legacy of the fusion made by the four artists in the 1970s. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Rock-Jazz |2 gnd | |
| 650 | 7 | |a Jazz-rock (Music) |2 fast |0 (OCoLC)fst01736999 | |
| 650 | 6 | |a Jazz rock |z États-Unis |x Histoire et critique. | |
| 650 | 0 | |a Jazz-rock (Music) |z United States |x History and criticism. | |
| 651 | 7 | |a USA |2 gnd | |
| 651 | 7 | |a United States. |2 fast |0 (OCoLC)fst01204155 | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/69929/ |
| 945 | |a Project MUSE - Custom Collection | ||