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Living the Hiplife : Celebrity and Entrepreneurship in Ghanaian Popular Music /

This ethnography of hiplife, a popular Ghanaian music genre combining hip-hop with highlife music, shows how young hiplife artists in Ghana and its diaspora use the music to gain social status, wealth, and respectability.

Detalles Bibliográficos
Autor principal: Shipley, Jesse Weaver (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Durham and London : Duke University Press, 2013.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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020 |a 9780822395904 
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035 |a (OCoLC)1144914656 
040 |a MdBmJHUP  |c MdBmJHUP 
100 1 |a Shipley, Jesse Weaver,  |e author. 
245 1 0 |a Living the Hiplife :   |b Celebrity and Entrepreneurship in Ghanaian Popular Music /   |c Jesse Weaver Shipley. 
264 1 |a Durham and London :  |b Duke University Press,  |c 2013. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2020 
264 4 |c ©2013. 
300 |a 1 online resource (351 pages):   |b illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
505 0 0 |t Introduction: aesthetics and aspiration --  |t Soul to soul : value transformations and disjunctures of diaspora in urban Ghana --  |t Hip-hop comes to Ghana : state privatization and an aesthetics of control --  |t Re-birth of hip : Afro-cosmopolitanism and masculinity in Accra's new speech community --  |t The executioner's words : genre, respect, and linguistic value --  |t Scent of bodies : parody as circulation --  |t Gendering value for a female hiplife star : moral violence as performance technology --  |t Number one Mango Street : celebrity labor and digital production as musical value --  |t Ghana@50 in the Bronx : sonic nationalism and new diasporic disjunctures --  |t Conclusion : Rockstone's office : entrepreneurship and the debt of celebrity. 
520 |a This ethnography of hiplife, a popular Ghanaian music genre combining hip-hop with highlife music, shows how young hiplife artists in Ghana and its diaspora use the music to gain social status, wealth, and respectability. 
588 |a Description based on print version record. 
650 7 |a Rap musicians.  |2 fast  |0 (OCoLC)fst01089960 
650 7 |a Rap (Music)  |2 fast  |0 (OCoLC)fst01089951 
650 7 |a Popular music.  |2 fast  |0 (OCoLC)fst01071422 
650 7 |a Hip-hop.  |2 fast  |0 (OCoLC)fst00957237 
650 7 |a MUSIC  |x Genres & Styles  |x Pop Vocal.  |2 bisacsh 
650 7 |a MUSIC  |x Genres & Styles  |x New Age.  |2 bisacsh 
650 7 |a MUSIC  |x Genres & Styles  |x International.  |2 bisacsh 
650 6 |a Hip-hop  |z Ghāna. 
650 6 |a Musique populaire  |z Ghāna  |x Histoire et critique. 
650 6 |a Rappeurs  |z Ghāna. 
650 0 |a Hip-hop  |z Ghana. 
650 0 |a Popular music  |z Ghana  |x History and criticism. 
650 0 |a Rap musicians  |z Ghana. 
650 0 |a Rap (Music)  |z Ghana  |x History and criticism. 
651 7 |a Ghana.  |2 fast  |0 (OCoLC)fst01208741 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/69871/ 
945 |a Project MUSE - Custom Collection