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Listening Subjects : Music, Psychoanalysis, Culture /
In Listening Subjects, David Schwarz uses psychoanalytic techniques to probe the visceral experiences of music listeners. Using classical, popular, and avant-garde music as texts, Schwarz addresses intriguing questions: why do bodies develop goose bumps when listening to music and why does music sou...
| Autor principal: | |
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| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Durham :
Duke University Press,
1997.
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 010 | |z 96039870 | ||
| 020 | |a 9780822399513 | ||
| 020 | |z 9780822319221 | ||
| 020 | |z 9780822319290 | ||
| 035 | |a (OCoLC)1144916671 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Schwarz, David, |d 1952- |e author. | |
| 245 | 1 | 0 | |a Listening Subjects : |b Music, Psychoanalysis, Culture / |c David Schwarz. |
| 264 | 1 | |a Durham : |b Duke University Press, |c 1997. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2020 | |
| 264 | 4 | |c ©1997. | |
| 300 | |a 1 online resource (222 pages): |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | |a 1. Music as Sonorous Envelope and Acoustic Mirror -- 2. Scatting, the Acoustic Mirror, and the Real in the Beatles' "I Want You (She's So Heavy)" -- 3. Why Notes Always Reach Their Destination (at Least Once) in Schubert's Winterreise -- 4. Music and the Gaze: Schubert's "Der Doppelganger" and "Ihr Bild" -- 5. Peter Gabriel's "Intruder," a Cover, and the Gaze -- 6. Oi: Music, Politics, and Violence -- 7. Lamentation, Abjection, and the Music of Diamanda Galas. | |
| 520 | |a In Listening Subjects, David Schwarz uses psychoanalytic techniques to probe the visceral experiences of music listeners. Using classical, popular, and avant-garde music as texts, Schwarz addresses intriguing questions: why do bodies develop goose bumps when listening to music and why does music sound so good when heard "all around?" By concentrating on music as cultural artifact, Listening Subjects shows how the historical conditions under which music is created affect the listening experience. Schwarz applies the ideas of post-Lacanian psychoanalytic theorists Slavoj Zizek, Julia Kristeva, and Kaja Silverman to an analysis of diverse works. In a discussion of John Adams's opera Nixon in China, he presents music listening as a fantasy of being enclosed in a second skin of enveloping sound. He looks at the song cycles of Franz Schubert as an examination and expression of epistemological doubts at the advent of modernism, and traverses fantasy "space" in his exploration of the white noise at the end of the Beatles' "I Want You (She's So Heavy)." Schwarz also considers the psychosexual undercurrent in Peter Gabriel?s "Intruder" and the textual and ideological structures of German Oi Musik. Concluding with a reading of two compositions by Diamanda Gal̀s, he reveals how some performances can simultaneously produce terror and awe, abjection and rage, pleasure and displeasure. This multilayered study transcends other interventions in the field of musicology, particularly in its groundbreaking application of literary theory to popular and classical music. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Musique |x Philosophie et esthetique. |2 ram | |
| 650 | 7 | |a Musique |x Aspect psychologique. |2 ram | |
| 650 | 7 | |a Music |x Philosophy and aesthetics. |2 nli | |
| 650 | 7 | |a Psychoanalysis. |2 nli | |
| 650 | 7 | |a Music |x Psychological aspects. |2 nli | |
| 650 | 7 | |a Psychoanalyse |2 gnd | |
| 650 | 7 | |a Musikpsychologie |2 gnd | |
| 650 | 7 | |a Musikwahrnehmung |2 gnd | |
| 650 | 7 | |a Musiksoziologie |2 gnd | |
| 650 | 7 | |a Psychoanalysis. |2 fast |0 (OCoLC)fst01081235 | |
| 650 | 7 | |a Music |x Psychological aspects. |2 fast |0 (OCoLC)fst01030418 | |
| 650 | 7 | |a Music |x Philosophy and aesthetics. |2 fast |0 (OCoLC)fst01030408 | |
| 650 | 7 | |a Music appreciation. |2 fast |0 (OCoLC)fst01030494 | |
| 650 | 7 | |a MUSIC / Instruction & Study / Appreciation |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Instruction & Study |x Theory. |2 bisacsh | |
| 650 | 7 | |a psychoanalysis. |2 aat | |
| 650 | 6 | |a Musique |x Appreciation. | |
| 650 | 6 | |a Musique |x Philosophie et esthetique. | |
| 650 | 6 | |a Psychanalyse. | |
| 650 | 6 | |a Musique |x Aspect psychologique. | |
| 650 | 0 | |a Music appreciation. | |
| 650 | 0 | |a Music |x Philosophy and aesthetics. | |
| 650 | 0 | |a Psychoanalysis. | |
| 650 | 0 | |a Music |x Psychological aspects. | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/69870/ |
| 945 | |a Project MUSE - Custom Collection | ||