Leaving Art : Writings on Performance, Politics, and Publics, 1974-2007 /
Collection of critical essays and performance pieces by pioneering feminist performance artist Suzanne Lacy.
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Otros Autores: | , |
Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
Durham :
Duke University Press,
2010.
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Colección: | Book collections on Project MUSE.
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Temas: | |
Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Part 1. Learning to look: The Seventies
- Prostitution notes (1974)
- Falling apart (1980)
- Body contract (1974)
- Photo essay. Learn where the meat comes from (1976)
- Cinderella in a dragster (1977)
- The bag lady: on memory (1982)
- The life and times of Donaldina Cameron (with Linda Palumbo and Kathleen Chang) (1978)
- In mourning and in rage (with analysis aforethought) (1978)
- Learning to look: the relationship between art and popular culture images (with Leslie Labowitz) (1981
- Time, bones, and art: anatomy of a decade (1995)
- Part 2. Political performance art: The Eighties
- Broomsticks and banners: the winds of change (1980)
- The greening of California performance: art for social change-a case study (1982)
- Made for TV: California performance in mass media (1982)
- Battle of New Orleans (1980)
- Beneath the seams (1982)
- In the shadows: an analysis of The Dark Madonna (1990)
- Political performance art: a discussion by Suzanne Lacy and Lucy R. Lippard (1985)
- Part 3. Debated Territory: The Nineties
- The name of the game (1991)
- Debated territory: toward a critical language for public art (1994)
- Affinities: thoughts on an incomplete history (1994)
- Love, cancer, memory: a few stories (1996)
- Cancer notes (with Leslie Becker) (2002)
- Part 4. Leaving Art: After 2000
- The skin of memory/La Piel de la Memoria (with Pilar Riano-Alcala) (2006)
- Seeking an American identity (working inward from the margins) (2003)
- Cop in the head, cop in the street (2006)
- Having it good: reflections on engaged art and engaged Buddhism (2005)
- Hard work in a working-class town (2006)
- Tracing Allan Kaprow (2007).