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Classical Hollywood Narrative : The Paradigm Wars /
Since the 1970s film studies has been dominated by a basic paradigm--the concept of classical Hollywood cinema--that is, the protagonist-driven narrative, valued for the way it achieves closure by neatly answering all of the enigmas it raises. It has been held to be a form so powerful that its aesth...
| Otros Autores: | |
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| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Durham :
Duke University Press,
1992.
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Introduction : the family melodrama of classical narrative cinema / Jane M. Gaines
- Dickens, Griffith, and film theory today / Rick Altman
- Form wars : the political unconscious of formalist theory / Bill Nichols
- Film response from eye to I: the Kuleshov experiment / Norman N. Holland
- Securing the fictional narrative as a tale of the historical real : The return of Martin Guerre / Janet Staiger
- Between melodrama and realism : Anthony Asquith's Underground and King Vidor's The crowd / Christine Gledhill
- The hieroglyph and the whore : D.W. Griffith's Intolerance / Miriam Hansen
- The she-man postmodern bi-sexed performance in film and video / Chris Straayer
- Dead ringer : Jacqueline Onassis and the look-alike / Jane Gaines
- Nostalgia for the present / Fredric Jameson
- Reading dynasty : televeision and reception theory / Jane Feuer
- Dialogues of the living dead / John O. Thompson
- Image/machine/image : on the use and abuse of Marx and metaphor in television theory / Richard Dienst.