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Worldmaking : Race, Performance, and the Work of Creativity /

In this bold, innovative work, Dorinne Kondo theorizes the racialized structures of inequality that pervade theater and the arts. Grounded in twenty years of fieldwork as dramaturg and playwright, Kondo mobilizes critical race studies, affect theory, psychoanalysis, and dramatic writing to trenchant...

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Detalles Bibliográficos
Autor principal: Kondo, Dorinne K. (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Durham : Duke University Press, 2018.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Worldmaking :   |b Race, Performance, and the Work of Creativity /   |c Dorinne Kondo. 
264 1 |a Durham :  |b Duke University Press,  |c 2018. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2020 
264 4 |c ©2018. 
300 |a 1 online resource (374 pages). 
336 |a text  |b txt  |2 rdacontent 
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505 0 |a Theoretical scaffolding, formal architecture -- Racialized economies -- (En)acting theory -- The drama behind the drama -- Revising race -- Playwriting as reparative creativity -- Seamless, a full-length play. 
520 |a In this bold, innovative work, Dorinne Kondo theorizes the racialized structures of inequality that pervade theater and the arts. Grounded in twenty years of fieldwork as dramaturg and playwright, Kondo mobilizes critical race studies, affect theory, psychoanalysis, and dramatic writing to trenchantly analyze theater's work of creativity as theory: acting, writing, dramaturgy. Race-making occurs backstage in the creative process and through economic forces, institutional hierarchies, hiring practices, ideologies of artistic transcendence, and aesthetic form. For audiences, the arts produce racial affect--structurally over-determined ways affect can enhance or diminish life. Upending genre through scholarly interpretation, vivid vignettes, and Kondo's original play, Worldmaking journeys from an initial romance with theater that is shattered by encounters with racism, toward what Kondo calls reparative creativity in the work of minoritarian artists Anna Deavere Smith, David Henry Hwang, and the author herself. Worldmaking performs the potential for the arts to remake worlds, from theater worlds to psychic worlds to worldmaking visions for social transformation. 
588 |a Description based on print version record. 
650 7 |a Gelbe Gefahr  |2 gnd 
650 7 |a Asiatischer Einwanderer  |2 gnd 
650 7 |a Diskriminierung  |2 gnd 
650 7 |a Ethnizität  |2 gnd 
650 7 |a Schauspielkunst  |2 gnd 
650 7 |a Theaterwissenschaft  |2 gnd 
650 7 |a Kulturanthropologie  |2 gnd 
650 7 |a Theater and society.  |2 fast  |0 (OCoLC)fst01149315 
650 7 |a Racism and the arts.  |2 fast  |0 (OCoLC)fst01086649 
650 7 |a Asian American theater  |x Social aspects.  |2 fast  |0 (OCoLC)fst00818604 
650 7 |a American drama  |x Asian American authors.  |2 fast  |0 (OCoLC)fst00807002 
650 7 |a SOCIAL SCIENCE  |x Anthropology  |x Cultural.  |2 bisacsh 
650 7 |a PERFORMING ARTS  |x Theater  |x General.  |2 bisacsh 
650 6 |a Theâtre americain  |x Auteurs americains d'origine asiatique  |x Histoire et critique. 
650 6 |a Racisme et arts  |z États-Unis. 
650 6 |a Theâtre et societe  |z États-Unis. 
650 0 |a American drama  |x Asian American authors  |x History and criticism. 
650 0 |a Creation (Literary, artistic, etc.)  |x Social aspects  |z United States. 
650 0 |a Racism and the arts  |z United States. 
650 0 |a Theater and society  |z United States. 
650 0 |a Asian American theater  |x Social aspects. 
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651 7 |a United States.  |2 fast  |0 (OCoLC)fst01204155 
600 1 7 |a Hwang, David Henry  |d 1957-  |2 gnd 
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