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Shakespeare's Dramatic Transactions /
Shakespeare's Dramatic Transactions uses conventions of performance criticism-staging and theatrical presentation-to analyze seven major Shakespearean tragedies: Hamlet, Othello, King Lear, Macbeth, Antony and Cleopatra, Richard II, and Richard III. As scholars and readers increasingly question...
| Autor principal: | |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Durham :
Duke University Press,
1990.
|
| Colección: | Book collections on Project MUSE.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 008 | 080125s1990 ncu o 00 0 eng d | ||
| 020 | |a 9780822382836 | ||
| 020 | |z 9780822310396 | ||
| 035 | |a (OCoLC)1143653110 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Mooney, Michael E., |d 1947- |e author. | |
| 245 | 1 | 0 | |a Shakespeare's Dramatic Transactions / |c Michael E. Mooney. |
| 264 | 1 | |a Durham : |b Duke University Press, |c 1990. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2020 | |
| 264 | 4 | |c ©1990. | |
| 300 | |a 1 online resource (244 pages). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | |a Integrating Actor and Audience -- Language, Staging, and ''Affect'': Figurenposition in Richard III -- Engagement and Detachment in Richard II -- Representation and Privileged Knowledge in Hamlet -- Location and Idiom in Othello -- Multiconsciousness in King Lear -- Voice and Multiple Awareness in Macbeth -- Directing Sympathy in Antony and Cleopatra. | |
| 520 | |a Shakespeare's Dramatic Transactions uses conventions of performance criticism-staging and theatrical presentation-to analyze seven major Shakespearean tragedies: Hamlet, Othello, King Lear, Macbeth, Antony and Cleopatra, Richard II, and Richard III. As scholars and readers increasingly question the theoretical models used to describe the concepts of "mimesis" and "representation," this book describes how the actor's stage presentation affects the actor's representational role and the ways in which viewers experience Shakespearean tragedy. Michael Mooney draws on the work of East German critic R | ||
| 588 | |a Description based on print version record. | ||
| 600 | 1 | 7 | |a Shakespeare, William. |2 swd |
| 600 | 1 | 7 | |a Shakespeare, William, |d 1564-1616. |2 fast |0 (OCoLC)fst00029048 |
| 600 | 1 | 0 | |a Shakespeare, William, |d 1564-1616 |x Dramatic production. |
| 600 | 1 | 0 | |a Shakespeare, William, |d 1564-1616 |x Tragedies. |
| 650 | 7 | |a Drama |2 gnd | |
| 650 | 7 | |a Dramaturgie |2 gnd | |
| 650 | 7 | |a Aufführung |2 gnd | |
| 650 | 7 | |a Theater audiences. |2 fast |0 (OCoLC)fst01149328 | |
| 650 | 7 | |a Theater. |2 fast |0 (OCoLC)fst01149217 | |
| 650 | 7 | |a Criticism and interpretation. |2 fast |0 (OCoLC)fst01198648 | |
| 650 | 7 | |a LITERARY CRITICISM |x Shakespeare. |2 bisacsh | |
| 650 | 7 | |a DRAMA |x Shakespeare. |2 bisacsh | |
| 650 | 6 | |a Theâtre |x Publics |z Angleterre |x Histoire |y 17e siecle. | |
| 650 | 6 | |a Theâtre |x Publics |z Angleterre |x Histoire |y 16e siecle. | |
| 650 | 0 | |a Theater audiences |z England |x History |y 17th century. | |
| 650 | 0 | |a Theater audiences |z England |x History |y 16th century. | |
| 651 | 7 | |a England. |2 fast |0 (OCoLC)fst01219920 | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/69784/ |
| 945 | |a Project MUSE - Custom Collection | ||