Performance /
"Performance" has multiple and often overlapping meanings that signify a wide variety of social behaviors. In this invitation to reflect on the power of performance, Diana Taylor explores many of its uses and iterations: artistic, economic, sexual, political, and technological performance;...
Autor principal: | |
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Otros Autores: | |
Formato: | Electrónico eBook |
Idioma: | Inglés Español |
Publicado: |
Durham :
Duke University Press,
2016.
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Colección: | Book collections on Project MUSE.
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Temas: | |
Acceso en línea: | Texto completo |
MARC
LEADER | 00000cam a22000004a 4500 | ||
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001 | musev2_69775 | ||
003 | MdBmJHUP | ||
005 | 20230905051213.0 | ||
006 | m o d | ||
007 | cr||||||||nn|n | ||
008 | 150519s2016 ncu o 00 0 eng d | ||
010 | |z 2015019796 | ||
020 | |a 9780822375128 | ||
020 | |z 9780822359975 | ||
020 | |z 9780822359548 | ||
035 | |a (OCoLC)1143625189 | ||
040 | |a MdBmJHUP |c MdBmJHUP | ||
041 | 1 | |a eng |h spa | |
100 | 1 | |a Taylor, Diana, |d 1950- |e author. | |
240 | 1 | 0 | |a Performance. |l English |
245 | 1 | 0 | |a Performance / |c Diana Taylor ; translated from Spanish by Abigail Levine ; adapted into English by Diana Taylor. |
264 | 1 | |a Durham : |b Duke University Press, |c 2016. | |
264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2020 | |
264 | 4 | |c ©2016. | |
300 | |a 1 online resource (235 pages): |b illustrations ; | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
505 | 0 | |a Framing [performance] -- Performance histories -- Spect-actors -- The new uses of performance -- Performative and performativity -- Knowing through performance : scenarios and simulation -- Artivists (artist-activists), or, what's to be done? -- The future(s) of performance -- Performance studies. | |
520 | |a "Performance" has multiple and often overlapping meanings that signify a wide variety of social behaviors. In this invitation to reflect on the power of performance, Diana Taylor explores many of its uses and iterations: artistic, economic, sexual, political, and technological performance; the performance of everyday life; and the gendered, sexed, and racialized performance of bodies. This book performs its arguments. Images and texts interact to show how performance is at once a creative act, a means to comprehend power, a method of transmitting memory and identity, and a way of understanding the world. -- from back cover. | ||
546 | |a Translated from the Spanish. | ||
588 | |a Description based on print version record. | ||
650 | 7 | |a Performance art |x Political aspects. |2 nli | |
650 | 7 | |a Performance art. |2 nli | |
650 | 7 | |a Performance |g Künste |2 gnd | |
650 | 7 | |a Performance art |x Political aspects. |2 fast |0 (OCoLC)fst01057855 | |
650 | 7 | |a Performance art. |2 fast |0 (OCoLC)fst01057852 | |
650 | 0 | |a Performance art |x Political aspects. | |
650 | 0 | |a Performance art. | |
655 | 7 | |a Electronic books. |2 local | |
700 | 1 | |a Levine, Abigail, |e translator. | |
710 | 2 | |a Project Muse. |e distributor | |
830 | 0 | |a Book collections on Project MUSE. | |
856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/69775/ |
945 | |a Project MUSE - Custom Collection |