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Performance in America : Contemporary U.S. Culture and the Performing Arts /

Argues for the centrality of theater and performance in the American national imaginary.

Detalles Bibliográficos
Autor principal: Román, David, 1959- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Durham : Duke University Press, 2005
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Román, David,  |d 1959-  |e author. 
245 1 0 |a Performance in America :   |b Contemporary U.S. Culture and the Performing Arts /   |c David Roman 
264 1 |a Durham :  |b Duke University Press,  |c 2005 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2020 
264 4 |c ©2005 
300 |a 1 online resource (376 pages):   |b illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a Perverse modernities 
505 0 |a Not about AIDS -- Visa denied: Chay Yew's theater of immigration and the performance of Asian American history -- Latino genealogies-Broadway and beyond: the case of John Leguizamo -- Archival drag, or the afterlife of performance -- Cabaret as cultural history: popular song and public performance in America -- Tragedy and the performing arts in the wake of September 11, 2001 -- Afterword: The time of your life 
520 |a Argues for the centrality of theater and performance in the American national imaginary. 
520 |a Performance in America demonstrates the vital importance of the performing arts to contemporary U.S. culture. Looking at a series of specific performances mounted between 1994 and 2004, well-known performance studies scholar David Román challenges the belief that theatre, dance, and live music are marginal art forms in the United States. He describes the crucial role that the performing arts play in local, regional, and national communities, emphasizing the power of live performance, particularly its immediacy and capacity to create a dialogue between artists and audiences. Román draws attention to the ways that the performing arts provide unique perspectives on many of the most pressing concerns within American studies: questions about history and politics, citizenship and society, and culture and nation. The performances that Román analyzes range from localized community-based arts events to full-scale Broadway productions and from the controversial works of established artists such as Tony Kushner to those of emerging artists. Román considers dances produced by the choreographers Bill T. Jones and Neil Greenberg in the mid-1990s as new aids treatments became available and the aids crisis was reconfigured; a production of the Asian American playwright Chay Yew's A Beautiful Country in a high-school auditorium in Los Angeles's Chinatown; and Latino performer John Leguizamo's one-man Broadway show Freak. He examines the revival of theatrical legacies by female impersonators and the resurgence of cabaret in New York City. Román also looks at how the performing arts have responded to 9/11, the U.S. invasion of Afghanistan, and the second war in Iraq. Including more than eighty illustrations, Performance in America highlights the dynamic relationships among performance, history, and contemporary culture through which the past is revisited and the future reimagined 
546 |a English. 
588 |a Description based on print version record. 
650 7 |a Theater  |2 gnd 
650 7 |a Tanz  |2 gnd 
650 7 |a Performing arts  |x Social aspects.  |2 fast  |0 (OCoLC)fst01057933 
650 7 |a SOCIAL SCIENCE  |x Gay Studies.  |2 bisacsh 
650 7 |a PERFORMING ARTS  |x Reference.  |2 bisacsh 
650 6 |a Arts du spectacle  |x Aspect social  |z États-Unis. 
650 0 |a Performing arts  |x Social aspects  |z United States. 
651 7 |a USA.  |2 swd 
651 7 |a United States.  |2 fast  |0 (OCoLC)fst01204155 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/69665/ 
945 |a Project MUSE - Custom Collection