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In the Name of National Security : Hitchcock, Homophobia, and the Political Construction of Gender in Postwar America

In the Name of National Security exposes the ways in which the films of Alfred Hitchcock, in conjunction with liberal intellectuals and political figures of the 1950s, fostered homophobia so as to politicize issues of gender in the United States. As Corber shows, throughout the 1950s a cast of mind...

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Detalles Bibliográficos
Autor principal: Corber, Robert J.
Otros Autores: Pease, Donald E.
Formato: Electrónico eBook
Idioma:Inglés
Publicado: North Carolina : Duke University Press, 1996.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Corber, Robert J. 
245 1 0 |a In the Name of National Security :   |b Hitchcock, Homophobia, and the Political Construction of Gender in Postwar America 
264 1 |a North Carolina :  |b Duke University Press,  |c 1996. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2020 
264 4 |c ©1996. 
300 |a 1 online resource (272 pages). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a New Americanists 
505 0 |a Acknowledgments; Introduction; 1 DRAPED IN THE AMERICAN FLAG Cold War Liberals and the Resistance to Theory; 2 RECONSTRUCTING HOMOSEXUALITY Hitchcock and the Homoerotics of Spectatorial Pleasure; 3 RESISTING HISTORY Rear Window and the Limits of the Postwar Settlement; 4 THE FANTASY OF THE MATERNAL VOICE The Man Who Knew Too Much and the Eroticization of Motherhood; 5 "THERE ARE MANY SUCH STORIES" Vertigo and the Repression of Historical Knowledge; 6 HITCHCOCK THROUGH THE LOOKING GLASS Psycho and the Breakdown of the Social; Conclusion; Notes; Index. 
520 |a In the Name of National Security exposes the ways in which the films of Alfred Hitchcock, in conjunction with liberal intellectuals and political figures of the 1950s, fostered homophobia so as to politicize issues of gender in the United States. As Corber shows, throughout the 1950s a cast of mind known as the Cold War consensus prevailed in the United States. Promoted by Cold War liberals--that is, liberals who wanted to perserve the legacies of the New Deal but also wished to separate liberalism from a Communist-dominated cultural politics--this consensus was grounded in the. 
588 |a Description based on print version record. 
600 1 7 |a Hitchcock, Alfred,  |d 1899-1980.  |2 fast  |0 (OCoLC)fst00032434 
600 1 0 |a Hitchcock, Alfred,  |d 1899-1980. 
600 1 0 |a Hitchcock, Alfred,  |d 1899-1980  |x Criticism and interpretation. 
650 7 |a Motion pictures  |x Political aspects.  |2 fast  |0 (OCoLC)fst01027353 
650 7 |a Homosexuality in motion pictures.  |2 fast  |0 (OCoLC)fst00959829 
650 4 |a Performing Arts  |x Film & Video  |x General. 
650 4 |a Performing Arts  |x Film & Video  |x History & Criticism. 
650 4 |a Performing Arts  |x Individual Director. 
650 4 |a Homosexuality In Motion Pictures. 
650 4 |a Motion Pictures  |x Political Aspects. 
650 4 |a Hitchcock, Alfred, 1899-1980. 
650 0 |a Homosexuality in motion pictures. 
650 0 |a Motion pictures  |x Political aspects  |z United States. 
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655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a Electronic books.   |2 local 
700 1 |a Pease, Donald E. 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
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945 |a Project MUSE - Custom Collection