Disappearing Acts : Spectacles of Gender and Nationalism in Argentina's "Dirty War" /

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Those who challenged the dictatorship, from the Mothers of the Plaza de Mayo to progressive theater practitioners, found themselves in what Taylor describes as "bad scripts." Describing the images, myths, performances, and explanatory narratives that have informed Argentina's national...

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Detalles Bibliográficos
Autor principal: Taylor, Diana, 1950- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Durham : Duke University Press, 1997.
Colección:Book collections on Project MUSE.
Temas:
Politique et litterature > Argentine.
Theâtre > Aspect politique > Argentine.
Theâtre argentin > 20e siecle > Histoire et critique.
Violence > Argentine > Histoire > 20e siecle.
Personnes disparues > Argentine.
Beeldvorming.
Vrouwen.
Nationalisme.
Dictatuur.
Theater
Drama
Violence.
Theater > Political aspects.
Politics and government
Disappeared persons.
Argentine drama.
HISTORY > Latin America > South America.
PERFORMING ARTS > Theater > General.
Disappeared persons > Argentina.
Violence > Argentina > History > 20th century.
Argentine drama > 20th century > History and criticism.
Theater > Political aspects > Argentina.
Argentine > Politique et gouvernement > 1955-1983.
Argentinien
Argentina.
Argentina > Politics and government > 1955-1983.
History.
Criticism, interpretation, etc.
Electronic books.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • 1. Caught in the Spectacle
  • 2. Gendering the National "Self"
  • 3. Military Males, "Bad" Women, and a Dirty, Dirty War
  • 4. The Theatre of Operations: Performing Nation-ness in the Public Sphere
  • 5. Percepticide
  • 6. Disappearing Bodies: Writing Torture and Torture as Writing
  • 7. Trapped in Bad Scripts: The Mothers of the Plaza de Mayo
  • 8. Staging Battles of Gender and Nation-ness: Teatro Abierto 1981
  • 9. Crossing the Line: Watching Violence in the "Other" Country.

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