From a Nation Torn : Decolonizing Art and Representation in France, 1945-1962 /

Mostrar otras versiones (1)

From a Nation Torn provides a powerful critique of art history's understanding of French modernism and the historical circumstances that shaped its production and reception. Within art history, the aesthetic practices and theories that emerged in France from the late 1940s into the 1960s are de...

Descripción completa

Detalles Bibliográficos
Autor principal: Feldman, Hannah (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: London : Duke University Press, 2014.
Colección:Book collections on Project MUSE.
Temas:
Kunst
Entkolonialisierung
Decolonization > Social aspects.
Art > Political aspects.
Art and state.
ART > History > Contemporary (1945- )
ART > History > General.
Decolonisation > Aspect social > France > Histoire > 20e siecle.
Art > Politique gouvernementale > France > Histoire > 20e siecle.
Art > Aspect politique > France > Histoire > 20e siecle.
Decolonization > Social aspects > France > History > 20th century.
Art and state > France > History > 20th century.
Art > Political aspects > France > History > 20th century.
Frankreich
France.
History.
Electronic books.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Introduction: Notes on art during war and the potentialities of decolonial representation
  • Andre Malraux and the image of the past as the future of the present
  • Fragments; or, the ends of photography
  • Fac̦ades; or, the space of silence
  • Between resistance and refusal: the language of art and its publics
  • Sonic youth, sonic space: Isidore Isou and the lettrist accoustics of deterritorialization
  • La France Dechiree: the politics of representation and the spaces in between
  • Reidentifications; or, seeing citizens being seen
  • "The eye of history": photojournalism, protest, and the manifestation of 17 October 1961
  • Looking past the state of emergency: a coda.

Ejemplares similares