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From a Nation Torn : Decolonizing Art and Representation in France, 1945-1962 /

From a Nation Torn provides a powerful critique of art history's understanding of French modernism and the historical circumstances that shaped its production and reception. Within art history, the aesthetic practices and theories that emerged in France from the late 1940s into the 1960s are de...

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Detalles Bibliográficos
Autor principal: Feldman, Hannah (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: London : Duke University Press, 2014.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

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100 1 |a Feldman, Hannah,  |e author. 
245 1 0 |a From a Nation Torn :   |b Decolonizing Art and Representation in France, 1945-1962 /   |c Hannah Feldman. 
264 1 |a London :  |b Duke University Press,  |c 2014. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2020 
264 4 |c ©2014. 
300 |a 1 online resource (333 pages):   |b illustrations (some color) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
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490 0 |a Objects/Histories 
505 0 |a Introduction: Notes on art during war and the potentialities of decolonial representation -- Andre Malraux and the image of the past as the future of the present -- Fragments; or, the ends of photography -- Fac̦ades; or, the space of silence -- Between resistance and refusal: the language of art and its publics -- Sonic youth, sonic space: Isidore Isou and the lettrist accoustics of deterritorialization -- La France Dechiree: the politics of representation and the spaces in between -- Reidentifications; or, seeing citizens being seen -- "The eye of history": photojournalism, protest, and the manifestation of 17 October 1961 -- Looking past the state of emergency: a coda. 
520 |a From a Nation Torn provides a powerful critique of art history's understanding of French modernism and the historical circumstances that shaped its production and reception. Within art history, the aesthetic practices and theories that emerged in France from the late 1940s into the 1960s are demarcated as ""postwar."" Yet it was during these very decades that France fought a protracted series of wars to maintain its far-flung colonial empire. Given that French modernism was created during, rather than after, war, Hannah Feldman argues that its interpretation must incorporate the tu 
588 |a Description based on print version record. 
650 7 |a Kunst  |2 gnd 
650 7 |a Entkolonialisierung  |2 gnd 
650 7 |a Decolonization  |x Social aspects.  |2 fast  |0 (OCoLC)fst00889122 
650 7 |a Art  |x Political aspects.  |2 fast  |0 (OCoLC)fst00815309 
650 7 |a Art and state.  |2 fast  |0 (OCoLC)fst00815435 
650 7 |a ART  |x History  |x Contemporary (1945- )  |2 bisacsh 
650 7 |a ART  |x History  |x General.  |2 bisacsh 
650 6 |a Decolonisation  |x Aspect social  |z France  |x Histoire  |y 20e siecle. 
650 6 |a Art  |x Politique gouvernementale  |z France  |x Histoire  |y 20e siecle. 
650 6 |a Art  |x Aspect politique  |z France  |x Histoire  |y 20e siecle. 
650 0 |a Decolonization  |x Social aspects  |z France  |x History  |y 20th century. 
650 0 |a Art and state  |z France  |x History  |y 20th century. 
650 0 |a Art  |x Political aspects  |z France  |x History  |y 20th century. 
651 7 |a Frankreich  |2 gnd 
651 7 |a France.  |2 fast  |0 (OCoLC)fst01204289 
655 7 |a History.  |2 fast  |0 (OCoLC)fst01411628 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
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