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Vampires, Mummies and Liberals : Bram Stoker and the Politics of Popular Fiction /

By way of a long overdue return to the novels, short stories, essays, journalism, and correspondence of Bram Stoker, Vampires, Mummies, and Liberals reconstructs the cultural and political world that gave birth to Dracula. To bring Stoker's life into productive relationship with his writing, Gl...

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Detalles Bibliográficos
Autor principal: Glover, David, 1946- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Durham : Duke University Press, 1996.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Vampires, Mummies and Liberals :   |b Bram Stoker and the Politics of Popular Fiction /   |c David Glover. 
264 1 |a Durham :  |b Duke University Press,  |c 1996. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2020 
264 4 |c ©1996. 
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505 0 |a Acknowledgments -- Abbreviations -- Introduction -- 1. ""Dark enough fur any man"": Sexual Ethnology and Irish Nationalism -- Fictions of Exile -- ""A land of ruins and of the dead"" -- Ethnology and Invective -- Criminal Types and Male Hysterics -- Beyond the Blue Horizon -- 2. Vampires, Mummies, and Liberals: Questions of Character and Modernity -- ""Material Facts"" -- Ideologies of Degeneration -- Faces, Skulls, and the Unconscious -- The Lure of the Mummy -- ""Our enemy is not merely spiritual"" -- 3. Sexualitas Aeternitatis -- Serious Sexual Subjects. 
505 0 |a ""Let her be indeed our son!"" -- Saracens, Vikings, and Crusaders -- Weininger's Sexual Types -- Red-blooded Passionate Natures -- Coda: Travels in Romania-Myths of Origin, Myths of Blood -- Notes -- Bibliography -- Index. 
520 |a By way of a long overdue return to the novels, short stories, essays, journalism, and correspondence of Bram Stoker, Vampires, Mummies, and Liberals reconstructs the cultural and political world that gave birth to Dracula. To bring Stoker's life into productive relationship with his writing, Glover offers a reading that locates the author within the changing commercial contours of the late-Victorian public sphere and in which the methods of critical biography are displaced by those of cultural studies. Glover's efforts reveal a writer who was more wide-ranging and politically engaged than his current reputation suggests. An Irish Protestant and nationalist, Stoker nonetheless drew his political inspiration from English liberalism at a time of impending crisis, and the tradition's contradictions and uncertainties haunt his work. At the heart of Stoker's writing Glover exposes a preoccupation with those sciences and pseudosciences - from physiognomy and phrenology to eugenics and sexology - that seemed to cast doubt on the liberal faith in progress. He argues that Dracula should be read as a text torn between the stances of the colonizer and colonized, unable to accept or reject the racialized images of backwardness that dogged debates about Irish nationhood. As it tracks the phantasmatic form given to questions of character and individuality, race and production, sexuality and gender, across the body of Stoker's writing, Vampires, Mummies, and Liberals draws a fascinating portrait of an extraordinary transitional figure. 
588 |a Description based on print version record. 
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