Unruly Visions : The Aesthetic Practices of Queer Diaspora /

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In 'Unruly Visions' Gayatri Gopinath brings queer studies to bear on studies of diaspora and visuality, tracing the interrelation of affect, archive, region, and aesthetics through an examination of a wide range of contemporary queer visual culture. Spanning film, fine art, poetry, and pho...

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Detalles Bibliográficos
Autor principal: Gopinath, Gayatri, 1969- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Durham : Duke University Press, 2018.
Colección:Book collections on Project MUSE.
Temas:
20.10 art and society: general.
Queer-Theorie
Kunst
Ästhetik
Queer theory.
Homosexuality and art.
Aesthetics.
Theorie queer.
Homosexualite et art.
Electronic books.
Acceso en línea:Texto completo

MARC

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245 1 0 |a Unruly Visions :   |b The Aesthetic Practices of Queer Diaspora /   |c Gayatri Gopinath. 
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490 0 |a Perverse modernities 
505 0 |a Introduction. Archive, region, affect, aesthetics -- Queer regions: imagining Kerala from the diaspora -- Queer disorientations, states of suspension -- Diaspora, indigeneity, queer critique -- Archive, affect, and the everyday -- Epilogue. Crossed eyes: toward a queer-sighted vision. 
520 8 |a In 'Unruly Visions' Gayatri Gopinath brings queer studies to bear on studies of diaspora and visuality, tracing the interrelation of affect, archive, region, and aesthetics through an examination of a wide range of contemporary queer visual culture. Spanning film, fine art, poetry, and photography, these cultural forms-which Gopinath conceptualizes as aesthetic practices of queer diaspora-reveal the intimacies of seemingly disparate histories of (post)colonial dwelling and displacement and are a product of diasporic trajectories. Countering standard formulations of diaspora that inevitably foreground the nation-state, as well as familiar formulations of queerness that ignore regional gender and sexual formations, she stages unexpected encounters between work by South Asian, Middle Eastern, African, Australian, and Latinx artists such as Tracey Moffatt, Akram Zaatari, and Allan deSouza. Gopinath shows how their art functions as regional queer archives that express alternative understandings of time, space, and relationality. The queer optic produced by these visual practices create south-to-south, region-to-region, and diaspora-to-region cartographies that profoundly challenge disciplinary and area studies rubrics. Gopinath thereby provides new critical perspectives on settler colonialism, empire, military occupation, racialization, and diasporic dislocation as they indelibly mark both bodies and landscapes. 
588 |a Description based on print version record. 
650 7 |a 20.10 art and society: general.  |0 (NL-LeOCL)07759374X  |2 nbc 
650 7 |a Queer-Theorie  |2 gnd 
650 7 |a Kunst  |2 gnd 
650 7 |a Ästhetik  |2 gnd 
650 7 |a Queer theory.  |2 fast  |0 (OCoLC)fst01739572 
650 7 |a Homosexuality and art.  |2 fast  |0 (OCoLC)fst00959813 
650 7 |a Aesthetics.  |2 fast  |0 (OCoLC)fst00798702 
650 7 |a 20.10 art and society: general.  |0 (NL-LeOCL)07759374X  |2 bcl 
650 6 |a Theorie queer. 
650 6 |a Homosexualite et art. 
650 0 |a Queer theory. 
650 0 |a Aesthetics. 
650 0 |a Homosexuality and art. 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/69078/ 
945 |a Project MUSE - Custom Collection 

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