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Making Cinelandia : American Films and Mexican Film Culture before the Golden Age /

In the 1920s, as American films came to dominate the country's cinemas, many of Mexico's cultural and political elites feared that this "Yanqui Invasion" would turn Mexico into a cultural vassal of the United States. In Making Cinelandia, Laura Isabel Serna contends that Hollywoo...

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Detalles Bibliográficos
Autor principal: Serna, Laura Isabel, 1971- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: London : Duke University Press, 2014.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Serna, Laura Isabel,  |d 1971-  |e author. 
245 1 0 |a Making Cinelandia :   |b American Films and Mexican Film Culture before the Golden Age /   |c Laura Isabel Serna. 
264 1 |a London :  |b Duke University Press,  |c 2014. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2020 
264 4 |c ©2014. 
300 |a 1 online resource (333 pages):   |b illustrations, maps 
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337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
505 0 |a The Yanqui invasion -- U.S. motion picture companies go South of the border -- American movies, Mexican modernity: the cinema as a national space -- In Lola's house: fan discourse in the making of Mexican film culture -- Border crossings -- La virgen and La Pelona: film culture, border crossing, and the modern Mexican woman -- Denigrating pictures: censorship and the politics of U.S. film in greater Mexico -- Al cine: Mexican migrants go to the movies. 
520 |a In the 1920s, as American films came to dominate the country's cinemas, many of Mexico's cultural and political elites feared that this "Yanqui Invasion" would turn Mexico into a cultural vassal of the United States. In Making Cinelandia, Laura Isabel Serna contends that Hollywood films were not simply tools of cultural imperialism. Instead, they offered Mexicans on both sides of the border an imaginative and crucial means of participating in global modernity, even as these films and their producers and distributors frequently displayed anti-Mexican bias. Before the "Golden Age." 
588 |a Description based on print version record. 
650 7 |a National characteristics, Mexican, in motion pictures.  |2 fast  |0 (OCoLC)fst01033480 
650 7 |a Motion pictures, Mexican.  |2 fast  |0 (OCoLC)fst01738330 
650 7 |a Motion pictures, American.  |2 fast  |0 (OCoLC)fst01027478 
650 7 |a Motion pictures.  |2 fast  |0 (OCoLC)fst01027285 
650 7 |a PERFORMING ARTS  |x Film & Video  |x History & Criticism.  |2 bisacsh 
650 7 |a PERFORMING ARTS  |x Reference.  |2 bisacsh 
650 6 |a Cinema americain  |z Mexique  |x Histoire  |y 20e siecle. 
650 6 |a Cinema  |z Mexique  |x Histoire  |y 20e siecle. 
650 6 |a Mexicains au cinema. 
650 6 |a Cinema mexicain  |x Histoire  |y 20e siecle. 
650 0 |a Motion pictures, American  |z Mexico  |x History  |y 20th century. 
650 0 |a Motion pictures  |z Mexico  |x History  |y 20th century. 
650 0 |a National characteristics, Mexican, in motion pictures. 
650 0 |a Motion pictures, Mexican  |x History  |y 20th century. 
651 7 |a Mexico.  |2 fast  |0 (OCoLC)fst01211700 
655 7 |a History.  |2 fast  |0 (OCoLC)fst01411628 
655 7 |a Electronic books.   |2 local 
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830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/69036/ 
945 |a Project MUSE - Custom Collection