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Uplift Cinema : The Emergence of African American Film and the Possibility of Black Modernity /
Recovers the significant yet forgotten legacy of African American filmmaking in the 1910s. Like the racial uplift project, this cinema emphasized economic self-sufficiency, education, and respectability as the keys to African American progress. Field discusses films made at the Tuskegee and Hampton...
| Autor principal: | |
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| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
London :
Duke University Press,
2015.
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Field, Allyson Nadia, |d 1976- |e author. | |
| 245 | 1 | 0 | |a Uplift Cinema : |b The Emergence of African American Film and the Possibility of Black Modernity / |c Allyson Nadia Field. |
| 264 | 1 | |a London : |b Duke University Press, |c 2015. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2020 | |
| 264 | 4 | |c ©2015. | |
| 300 | |a 1 online resource (344 pages): |b illustrations ; | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 505 | 0 | |a The aesthetics of uplift: the Hampton-Tuskegee idea and the possibility of failure -- "To show the industrial progress of the Negro along industrial lines?" : uplift cinema entrepreneurs at Tuskegee Institute, 1909-1913 -- "Pictorial sermons" : the campaign films of Hampton Institute, 1913-1915 -- "A vicious and hurtful play" : the Birth of a Nation and the new era, 1915 -- To "encourage and uplift" : entrepreneurial uplift cinema. | |
| 520 | |a Recovers the significant yet forgotten legacy of African American filmmaking in the 1910s. Like the racial uplift project, this cinema emphasized economic self-sufficiency, education, and respectability as the keys to African American progress. Field discusses films made at the Tuskegee and Hampton Institutes to promote education, as well as the controversial The New Era, which was an antiracist response to D. W. Griffith's The Birth of a Nation. She also shows how Black filmmakers in New York and Chicago engaged with uplift through the promotion of Black modernity. Uplift cinema developed not just as a response to onscreen racism, but constituted an original engagement with the new medium that has had a deep and lasting significance for African American cinema. --From publisher description. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Svarta i filmindustrin, USA. |2 sfit | |
| 650 | 7 | |a Svarta på film, USA. |2 sfit | |
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| 650 | 7 | |a African Americans in motion pictures. |2 fast |0 (OCoLC)fst00799733 | |
| 650 | 6 | |a Noirs americains au cinema |x Histoire |y 20e siecle. | |
| 650 | 6 | |a Noirs americains dans l'industrie cinematographique |x Histoire |y 20e siecle. | |
| 650 | 0 | |a African Americans in motion pictures |x History |y 20th century. | |
| 650 | 0 | |a African Americans in the motion picture industry |x History |y 20th century. | |
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| 945 | |a Project MUSE - Custom Collection | ||