The Subject in Art : Portraiture and the Birth of the Modern /

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Argues that the modern subject did not emerge from psychoanalysis or existential philosophy but rather within early-twentieth-century Viennese portraiture.

Détails bibliographiques
Auteur principal: Soussloff, Catherine M.
Format: Électronique eBook
Langue:Inglés
Publié: Durham : Duke University Press, 2006.
Collection:Book collections on Project MUSE.
Sujets:
Subjectivity in art.
Self (Philosophy) in art.
Portraits, Austrian.
Art > Historiography.
ART > Subjects & Themes > Portraits.
ART > Subjects & Themes > Human Figure.
Portraits autrichiens > Autriche > Vienne > 20e siecle.
Art > Historiographie > 20e siecle.
Moi (Philosophie) dans l'art.
Subjectivite dans l'art.
Art autrichien > 20e siecle > Influence.
Art > Autriche > Vienne > 20e siecle.
Art, Austrian > 20th century > Influence.
Art > Historiography > 20th century.
Portraits, Austrian > Austria > Vienna > 20th century.
Austria > Vienna.
Electronic books.
Accès en ligne:Texto completo
Table des matières:
  • Introduction: the subject in art
  • A genealogy of the subject in the portrait
  • The birth of the social history of art
  • The subject at risk: Jewish assimilation and Viennese portraiture
  • Art photography, portraiture, and modern subjectivity
  • Regarding the subject in art history: an epilogue
  • Notes
  • Bibliography
  • Index.

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