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120330s2013 ncu o 00 0 eng d |
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|z 2012011603
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|a 9780822395775
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|z 9780822353430
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|z 9780822353287
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|a (OCoLC)1139374630
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|a MdBmJHUP
|c MdBmJHUP
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1 |
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|a Stahl, Matt,
|d 1965-
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245 |
1 |
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|a Unfree Masters :
|b Popular Music and the Politics of Work /
|c Matt Stahl.
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264 |
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1 |
|a Durham, NC :
|b Duke University Press,
|c 2013.
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264 |
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3 |
|a Baltimore, Md. :
|b Project MUSE,
|c 2020
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|c ©2013.
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300 |
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|a 1 online resource (308 pages).
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336 |
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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490 |
0 |
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|a Refiguring American music
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505 |
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|a American Idol and narratives of meritocracy -- Rockumentary and the new model worker -- Carving out recording artists from California's seven-year rule -- Freedom, unfreedom, and the rhetoric of (the recording) contract -- Recording artists, work for hire, employment, and appropriation.
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|a In Unfree Masters, Matt Stahl examines recording artists' labor in the music industry as a form of creative work. He argues that the widespread perception of singers and musicians as free individuals doing enjoyable and fulfilling work obscures the realities of their occupation. Stahl begins by considering the television show American Idol and the rockumentary Dig! (2004), tracing how narratives of popular music making in contemporary America highlight musicians' negotiations of the limits of autonomy and mobility in creative cultural-industrial work. Turning to struggles between recording artists and record companies over the laws that govern their contractual relationships, Stahl reveals other tensions and contradictions in this form of work. He contends that contract and copyright disputes between musicians and music industry executives, as well as media narratives of music making, contribute to American socioeconomic discourse and expose basic tensions between the democratic principles of individual autonomy and responsibility and the power of employers to control labor and appropriate its products. Stahl maintains that attention to the labor and property issues that he discloses in relation to musicians and the music industry can stimulate insights about the political, economic, and imaginative challenges currently facing all working people. -- Publisher's website.
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588 |
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|a Description based on print version record.
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650 |
|
7 |
|a Sound recording industry
|z United States.
|2 nli
|
650 |
|
7 |
|a Intellectual property
|z United States.
|2 nli
|
650 |
|
7 |
|a Popular music
|x Economic aspects
|z United States.
|2 nli
|
650 |
|
7 |
|a Popular music
|x Writing and publishing
|z United States.
|2 nli
|
650 |
|
7 |
|a Sound recording industry.
|2 fast
|0 (OCoLC)fst01127019
|
650 |
|
7 |
|a Popular music
|x Writing and publishing.
|2 fast
|0 (OCoLC)fst01071469
|
650 |
|
7 |
|a Popular music
|x Economic aspects.
|2 fast
|0 (OCoLC)fst01071436
|
650 |
|
7 |
|a Intellectual property.
|2 fast
|0 (OCoLC)fst00975774
|
650 |
|
6 |
|a Propriete intellectuelle
|z États-Unis.
|
650 |
|
6 |
|a Musique populaire
|x Aspect economique
|z États-Unis.
|
650 |
|
6 |
|a Musique populaire
|x Écriture et edition
|z États-Unis.
|
650 |
|
0 |
|a Sound recording industry
|z United States.
|
650 |
|
0 |
|a Intellectual property
|z United States.
|
650 |
|
0 |
|a Popular music
|x Economic aspects
|z United States.
|
650 |
|
0 |
|a Popular music
|x Writing and publishing
|z United States.
|
651 |
|
7 |
|a United States.
|2 fast
|0 (OCoLC)fst01204155
|
655 |
|
7 |
|a Electronic books.
|2 local
|
710 |
2 |
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|a Project Muse.
|e distributor
|
830 |
|
0 |
|a Book collections on Project MUSE.
|
856 |
4 |
0 |
|z Texto completo
|u https://projectmuse.uam.elogim.com/book/68851/
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945 |
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|a Project MUSE - Custom Collection
|